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Archive for the ‘Ross Campbell’ Category

waterSOUNDTRACK: TRACY SILVERMAN-Tiny Desk Concert #368 (June 28, 2014).

Ttracyracy Silverman is an electronic violinist. In addition to playing the violin, he uses loops to build his sound (I love how many people are using loops these days).  Not only that, he has created his own violin–a six string with frets on the three low strings.  (It’s also shaped more like a guitar than a violin). He gets an incredible breadth of sound out of it (and he is an amazing violinist as well).

He plays three tracks. The first is “Matisse: La Danse,” which really shows off the breadth of his instrument and the effects that he uses.

The second piece he introduces by saying how much he loves listening to NPR and composer BJ Liederman.  So for the second song, which he calls “Sonata No. 4, Opus 37 “All Notes Considered”” he uses pieces of the themes from All Things Considered and Morning Edition.  It’s at once familiar and new, and it’s quite pretty.  He then takes a video of the studio for his Facebook feed.

The final song “Axis And Orbits/Mojo Perpetuo” opens with a trippy pizzicato section, which sounds echoey and almost underwater.  As that section loops, he plays slow, long bowed notes that seems to bring you into outer space.  By the end, after some interesting scratchy guitar-like sounds, he moves into a much faster solo section which really shows of his chops.

I’d never heard of Silverman before but I was pretty impressed with his technique and technology.  It’s a pretty wild ride of music–such diversity and unexpected sounds our of a simple (or not) violin.

[READ: July 5, 2014] Water Baby

I recognized the art from Ross Campbell immediately.  He writes and draws Wet Moon and I find his style (he draws women who are very powerful and very sexual) arresting and confrontational.  This book almost seems like it doesn’t belong at Minx, which tended to skew a little younger.  Even though these girls prove to be younger than I thought, their dress (or lack of—there’s a lot of underwear and tight shirts) is quite risqué (although it proves to be less explicit that Wet Moon).

The story itself was rather unexpected as well.  Brody is a surfer girl. She has cool punky hair and a rocking bod.  But in the first few pages, she is out on the water when she is attacked by a shark and loses a leg.  When she wakes up her best friend Louisa is there, taking care of her.  Since Brody’s mom is working full time, she asks if she can stay with Louisa —the answer is yes, and Louisa becomes an essential part of Brody’s life.  Many of Campbell’s stories focus on the young people, rather than the parents.

Brody soon learns to use a prosthetic leg (and crutches when necessary), but she can’t stop dreaming about the shark (which gets bigger in her dreams and sometimes has legs or comes through walls—it’s pretty terrifying).

Brody gets a call from Jake, and old boyfriend.  Brody hates Jake now and even says she’s off of boys for good.  But he shows up anyhow—he’s blond and hot and maybe a little stupid.  Stupid or not he is a total mooch and he asks to crash with them for a few days.  Jake is clearly crushing on Brody, but he is also making moves on Louisa (who has bigger boobs and tighter shirts).  He even brings a third girl over to fool around with (which freaks out everyone else in the house). But it’s not until the girls wake up one morning to see that Jake has thrown up all over their house that they evict him—which means an immediate drive to Rochester NY. (more…)

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SOUNDTRACK: FUCKED UP-Couple Tracks: Singles 2002-2009 (2010).

I knew of Fucked Up from a cover shoot on Chart Magazine. Clearly, they are aiming for major pop success and massive radio airplay.

Their live shows sounded amazing.  And, of course, everything about them seemed unpredictably wonderful.

This is a collection of singles (although not singles in the “pop chart” sense).  Fucked Up released more singles than anything else.  In fact their discography is borderline impossible to keep straight, they have so many small releases on so many small labels.

There is definite growth over these two discs (maybe not maturity, but growth).  The first track, “No Pasaran” is an ugly shouty noisy mess (pretty much straight hardcore). Over the course of these singles, Pink Eyes, the singer, refines his voice and he sounds a bit like Dicky Barrett of the Mighty Mighty Bosstones (still rough, but more melodic).  The music on the other hand pretty well stays in the hardcore mold.  But by the end (and it is most notable on disc two) the band’s energies branch out into guitar riffs and notable melodies.

The rest of the band includes Concentration Camp and 10,000 Marbles on Guitars, Mr Jo on Drums and Mustard Gas on Bass.

This collection of singles includes most of their shorter tracks (since they were on 7″ vinyl).  But on their 2006 release Hidden World (which I have not heard), most of the songs are over 5 minutes, with one reaching 9.  So they’re even fucked up by hardcore standards.  Cool.

This collection is definitely not for everyone, but it’s worth checking out if you like your core hard and weird.

[READ: May 27, 2010] Wet Moon 5

Holy cow!  This book ends on an amazing cliffhanger!  Beloved Trilby is put in mortal danger, and from what we see, I can’t imagine how she’ll survive.  Gasp!

By this time, Campbell is well on his way to a long, twisted epic series.  One only wonders how long he has this story arc planned out.  It seemed so simple at first: a buncha goth girls hanging around a college, with the worst thing that happens is someone puts up a flier about you or your cat goes missing.

Now the stakes are higher.  I’m not entirely sure that I like the path that this story is following.  I mean, don’t get me wrong it is super exciting.  I just don’t want Wet Moon to turn into Friday the 13th or some other kind of “crime & superhero” story.  What happens to Trilby is pretty intense.  I just hope it won’t destroy all of the characters. (more…)

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SOUNDTRACK: WALLER NOT WELLER blog.

WallerNotWeller found me when I reviewed Metallica’s Kill ‘Em All.  I went to his site and I adore it!  He writes some great reviews of concerts, CDs and singles.  His current project is the best singles and discs of 1983.  But while he’s working on that, he’ also reviewing a bunch of concerts that he’s been to recently.

What I love best about this site is his amazing breadth of appreciation for music.  There’s been a flurry of activity as he is completing the Top 50 list.  And, since I subscribed by email, I love that my Inbox has been inundated with reviews of this diverse collection: AGNETHA FALTSKOG (She of Abba fame), ECHO AND THE BUNNYMEN, MINUTEMEN, MISFITS, The B-52’S, DAVID BOWIE, DANIEL JOHNSTON, THE CARPENTERS, JOHNY CASH & AC/DC.  Now that’s breadth!

His reviews are a bit more comprehensive than mine (which I think means he points out a number of negatives that I don’t), but he and I see eye to eye on a lot of these discs.  It’s quite a treat.  And, he’s British, so his viewpoint is slightly different than mine…it’s a good eye-opener!

[READ: May 23, 2010] Wet Moon 4

With each new volume of this series, Campbell changes the appearance of his characters more and more.  Most of the characters now have softer features and big round eyes.  I find it more and more disconcerting, especially since the thing I loved about the book was the utter realism of his characters.

Fortunately the bodily features of the characters haven’t changed: they’re still believably shaped and realistically drawn, it’s just the faces are so weird (Trilby is so soft-looking now, oh and Cleo has a mohawk!).  But at least  the look is consistent throughout the volume.

So Wet Moon, the town, continues to thrive with this strangely intense goth subculture.  Yet this volume seems to introduce an “outsude” world too.  There’s a woman who recoils at two gay men sitting in her booth at a coffee shop. There’s even talk of homophobes attacking gays in the area.  And here I thought that Wet Moon was an idyllic place where all kinds of subculture thrives happily. (more…)

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SOUNDTRACK: SISTERS OF MERCY-Floodland (1987).

Since I’m reviewing a goth book, why not talk about a goth record?  Back in the day, I really liked Floodland (and still think it’s pretty cool).  The album is over the top, but it’s quite apparent that I’m really drawn to theatrical music.

It’s opens with a wonderfully driving medley of “Dominion/Mother Russia” (I can recall singing “Doh-Min-E-Un!” at the top of my lungs on many a car ride.)  The second epic track, “Lucretia, My Reflection” is another great over the top ode to darkness.  I get that melody in my head and it doesn’t leave for days.

“1959” is the odd track on the disc: a straightforeward piano ballad.  It shows Andrew Eldritch’s voice works well solo as well as when he’s emoting with the “band.”  This is followed by the great spooky chorus of voices that open “This Corrosion.”  This song, which starts out so theatrically, morphs into a keyboard based bouncy dance track.  The chorus keeps coming back, giving this a delightfully operatic quality.  (I was going to make a comment in the first paragraph about liking theatrical artists like Meat Loaf, and when I looked this disc up I learned that this track was produced by Jim Steinman, Meat Loaf’s major producer guy.  Huh).

The end of the disc can’t reach the extreme heights of the earlier portion (although the guitar lines of “Flood” are quite nice).  But after the trio of  “Dominion,” “Lucretia,” and “Corrosion,” you’ve easily satisfied anyone’s criteria for great goth disc.

[READ: May 9, 2010] Wet Moon Book 3

I can’t believe it took me this long to read the continuing saga of Cleo and friends.  When I finally had a window, I devoured almost the whole book in a sitting.

The biggest change in the book is in Cleo’s eyes.  They are suddenly HUGE!  They’re very cartoon-like (specifically like Bugs Bunny’s nephew Clyde).  It’s very disconcerting since everything else is so meticulously true to life.  Contextually, it can be argued that at the end of book two, when Myrtle kissed Cleo for the first time, her eyes popped out of her head, but that’s stretching it, I think.

Aside from that incongruity, the rest of the cast remains the same.  I was delighted to have a flashback to high school, where we could see a young (evil) Cleo, and a young Trilby (with hair!). (more…)

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SOUNDTRACK: ARCADE FIRE Austin City Limits (2007).

Recorded in support of Neon Bible, this concert blew me away.  I enjoyed Neon Bible quite a lot, but seeing the band in this concert setting was really amazing. The band was so exciting live.

From Win Butler’s intense performance (both on stage and in the audience) to his wife, Régine Chassagne’s multi-instrumental extravaganza (even if she does look like Susie Essman when she’s about to go off on a foul-mouthed tirade).  To the exhausting and exhaustive rest of the band.  They never stop.  Even when they’re not playing anything, the are happy to join in on a random drum or cymbal.

Plus, how many bands do you get to see play the hurdygurdy?

There’s just so much going on onstage with this band (and of course they throw in little video screens as well!).  And when Win grabs his mike stand and moves literally into the audience to finish one of the last songs, it was really invigorating (and would have been very exciting to have been in the front row there).

Even though it was televised, I felt like I was there.  Oh, and it wasn’t just the theatrics, the band sounded amazing too.  If I ever get the chance I hope to see them live, myself.

[READ: February 11, 2010] Wet Moon 2

I finally received Wet Moon 2 & 3 in the mail the other day.   I was quite excited to get to them.  And Volume 2 did not disappoint.

It is very apparent from Volume 2 that Campbell is in it for the long haul.  Which is one way of saying that not very much “happens” in this book.  Several plot threads from book 1 are teased out a bit, but nothing conclusive happens anywhere.

But that’s not to say that nothing happens at all.  We learn the identity of the long-haired person whom Cleo runs away from in book one (an ex). We learn a little back story (and about a curious upside-down contraption from the person with no hair (who is named Fern).  We learn that Wet Moon is full of more and more bizarre characters, and that there’s an FBI agent around town.  We also learn that another Cleo Eats It sign has been found, although we don’t know anything more about who did it.

(more…)

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SOUNDTRACK: NO FORCEFIELD-God is an Excuse (2001).

I was looking up what Larry LaLonde, guitarist for Primus, had been up to while Primus seems to be on hiatus.  I hadn’t heard a word from him, so I was surprised to see that he had released two albums with a band called No Forcefield.

I looked for the discs, and found both of them used for $1.00 each.  So I ordered them without really knowing what they were about, except that they were described as “experimental.”

This is the second disc by the band which consists of Brain and Ler from Primus as well as assorted other fellows (Bob Cock) and guests.  And experimental is an okay word to describe the record.  But a better one is disappointing.

With the lineage that these guys bring to the band, it’s surprising how mundane the disc is. It opens with a phone message about Bin Laden and God which morphs into the hilarious Denis Leary bit about CDs and the silver dog bone thing.  It then becomes a fairly straightforward electronic track.  And this electronic stuff is kind of the purpose of the group, I think.  There are at least 3 long, simple instrumentals that are little more than a few notes repeated over a drum beat.

The other tracks are complete nonsense: a faux TV show with “products” for sale which is a teensey bit funny, but not really.  There’s also Billy Roz, whoever that may be, crooning “You Are My Sunshine” as well as some polkas over a drum machine (he sings like an old doddering man).  And finally a short drum solo.

It’s not even clear to me why Ler is in the band as it seems to be mostly drums and a simple keyboard chord.  The only interesting track on the disc is “How to Purify Street Heroin” which is an awesome scratchy workout which I assume is by DJ Disk from the Invisbl Skratch Piklz.  And that’s pretty much it.

I was really disappointed my first go around, as I was expecting something, anything, more than this.  On subsequent listens, I can appreciate the disc as background/comedy although really neither one is a reason to hunt this down.

[READ: January 21, 2010] Too Much Hopeless Savages

This third collection of the Hopeless Savages saga sees many new revelations.  Turns out that Nikki Savage’s mom has come under the influence of a preacher who is intent on praying at the Hopeless-Savage house trying to get them to react in some way.  (I’m a little unclear exactly what his goal is here).

At the same time, Arsenal and her boyfriend and Twitch and his boyfriend (the  boyfriends are brothers) are off to the boyfriends’ homeland of Hong Kong.  Arsenal is there for a martial arts competition and Twitch heads along so that the H-S siblings can meet their boyfriends’ great grandmother.

Hijinx naturally ensue.  In this case, Arsenal is slipped a very valuable package and she soon has numerous groups of men after her (it’s unclear if any of them are up to any good).  The rest of the family decamps for Hong Kong to escape from all the praying (and they bring grandma along to de-brainwash her).

What is surprising about the story is the emotional depth that comes out of an incident from Arsenal’s past.  (more…)

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SOUNDTRACK: KISS-Dressed to Kill (1975).

I feel like I used to  give this disc short shrift because (horrors) its cover is in black and white.  But, unlike the first two discs which were heavy (poppy, but heavy), Dressed to Kill is very anthemic and, well, a little wimpy.  Despite these caveats, I still know every word to the disc, and I do rather enjoy it.

In fact, the first four songs on the disc are not featured on Alive!.  It starts out really poppy with “Room Service” which has a pretty wild guitar solo.  The next track, “Two Timer” is a Gene-sung slow track which even has Gene getting into a spoken word bit: “That’s the truth baby, you’re a two timer.”  “Ladies in Waiting” is one of those fun Kiss songs that starts out a little off-sounding but ends up being a really poppy singalong.  “Getaway” continues a trend of songs that Ace wrote but which Peter sings.  (Evidently Ace didn’t feel confident in his vocals yet).  The side ends with the cool “Rock Bottom,” a slow, pretty guitar intro opens into a rocking song.

This is the rare Kiss disc where Side Two has more hits than Side One.  “C’mon and Love Me” (an unusual request, frankly) is a fun rocker with a lot of baby baby’s.  “Anything for My Baby” is a really upbeat song which amuses me for all of the things that he swears he would do for her: steal, wheel and deal, crawl or kneel, etc.  Next is “She,” one of the all-time great Kiss songs.  It’s heavy, it’s menacing, it has an awesome guitar riff and a great guitar solo.  The fact that they tucked it away in the middle of side two is really weird.  “Love Her All I Can” is a fast rocker that’s followed by Kiss’ most popular song of all time, “Rock And Roll All Nite.”  At this point in my Kiss listening career I’m a little tired of this song.  It’s a very catchy anthem, no doubt, but it’s really not a very good song as far as Kiss songs go.

The recordings for the Kiss Alive! disc were taken on the Dressed to Kill tour and yet the live album has the fewest songs taken from this album.  It’s kind of funny that their most popular song comes at the end of this disc.

[READ: December 22, 2009] Wet Moon

This is a fantastic goth-inspired graphic novel with the absolutely worst title ever.  Wet Moon is the name of the town the book is set in, but it is never mentioned beyond the welcome sign, and I just can’t imagine what inspired the name.

Okay, actually, I just looked up wet moon on Wikipedia, and found out that it is an astronomical term for when the “horns” of a crescent moon point up, away from the earth (like devil horns).  And so I completely take back my complaint, as I now think the term is pretty cool and very appropriate.

And that is the only thing that I find disagreeable about this book.  (Well, actually I don’t like the lettering either, but more on that on a moment).

The town of Wet Moon is a college town where goths live and thrive (and no doubt many fans of the book wish the could live there).  Our heroine is Cleo, a young, slightly overweight goth with a pierced nose and bottom lip.  She has just moved out of her parents house and is living on campus.  (There is an implication that her house is a dorm, but if so, it is the single most beautiful dorm ever, anywhere, so I’ll pretend it’s an apartment–I mean, there’s a walk-out balcony for cripes sake). (more…)

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