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Archive for the ‘Roland Smith’ Category

parkSOUNDTRACK: ELIOT FISK AND PACO PEÑA-Tiny Desk Concert #364 (June 14, 2014).

eliotIt may not be correct to say that these two guitarists rock, but man do they rock.  I have a  couple of Eliot Fisk CDs but nothing prepares you for watching his fingers fly on that big old classical guitar.  And Paco Peña plays an amazing flamenco guitar.  Watching them play together is really something magical.

It’s especially fun to see Fisk so clearly enjoying himself as his hands fly all over the neck of the guitar.  It’s also interesting to compare Fisk’s guitar with the flamenco guitar, just to see how differently the instruments sound.  There’s little more that I can say about this except that it is really amazing.

Together, they play four pieces:

Domenico Scarlatti: Sonata in D Major K.33; Bach: Prelude in F major, BWV 927; Sabicas: “Farruca” and
Peña: “El nuevo día (Colombiana)”

Watch below:

[READ: June 17, 2014] Trust No One

All along through this series I felt that perhaps it was too old for my nine-year old.  And this book really felt like it pushed this book clearly into the YA realm.  It opens with a talk about the Twin Towers’ destruction, which I realize is before a nine-year old was even born, but it still feels very sensitive.  But, most intense of all, a beloved character dies.  I won’t say which one, but suffice it to say I was really shocked.  In the first series, people got hurt, but this time people actually die.   It’s pretty rough.

As for plot, this book really brings a lot of plot threads out into the open.

First, we learn who the mole is.  Second we learn who Vesper One is.  And third we finally see what’s going to happen with the serum that Dan has been collecting ingredients for.

I haven’t mentioned the serum in the other reviews.  It has been going on throughout the books, but was never near the forefront until now.  Because the mole tries to sneak it away from Dan.  And by the end of the book, Dan has mixed all the ingredients together.

But first we go back to New York where the kids have hired a cab to take them to Yale (for $600).  On the way there they are stopped by a motorcade, which they assume is the Vespers.  But it proves to be a far more shocking piece of information.  After fleeing the scene (and Amy getting a chance to use some of her physical training, they make it to the Yale library where they see out the Voynich manuscript.  One thing I love about this series is that all of the locations and artifacts are real.  like this Voynich manuscript (which you can certainly read about on Wikipedia). (more…)

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shatterSOUNDTRACK: IESTYN DAVIES-Tiny Desk Concert #357 (May 17, 2014).

falsettoIestyn Davies (pronounced YES-tin DAY-vis) is a countertenor, which means he sings in s striking falsetto (especially when you hear his deep speaking voice).  Davies sings three songs from  Elizabethan composer John Dowland. Joining Davies is Thomas Dunford, who has been affectionately dubbed “the Eric Clapton of the lute” by the BBC.  They play this early music and it sounds amazing (I am super impressed by his voice, but the lute blows me away).

The songs are very melancholy about lost love.  Like this wonderful line that would make Morrissey jealous: “I sit, I sigh, I weep, I faint, I die/In deadly pain and endless misery” (all done is in a staggering falsetto in a beautiful ascending melody).

He plays three songs (none of which had I heard before) “Come again, sweet love doth now invite,” “Now, O now I needs must part” and “Can she excuse my wrongs.”

I loved listening to these and to watching the lutist wail on that instrument.

[READ: May 25, 2014] Shatterproof

Much to my discomfort, this series is getting darker and darker.  I’m almost not sure if my 9 year old is ready for the intensity (and the death) in this book.

While there was real danger in the first series, people we know have actually died in this one.  And there is another (shocking) causality in this book as well.

As soon as the four kids (Amy and Dan Cahill and their friends Atticus and Jake Rosenbloom) land in Germany, they are set upon by police.  Since the four of them are wanted by Interpol, they assume that they are caught, done.  But it turns out that these are not real police, they are employed by Vesper One, to let them know that he knows exactly where they are.  And to give them their next clue.

Which is that they must steal a diamond from a heavily guarded museum that is about to close in two hours.

Meanwhile Hamilton and Phoenix are still tailing Luna Amato.  They are being assisted by Erasmus who is really calling the shots and using the boys as a kind of decoy.  Luna seems oblivious to the pursuit, which makes Erasmus even more suspicious.  So while the boys follow her, Erasmus sneaks in to what he believes is a Vesper stronghold.

The other real plot in the book coes from the prisoners.  The clever Cahill clan has devised a way to get out of their prison cell.  And it works–at a price.  Although their story evolves over the book, suffice it to say that they do escape, but at the risk of losing one of their number and at Nellie getting bitten by attack dogs.  By the end of the book, some of them have been brought to new facility where the consequences are all the more severe.

But back to the diamond heist. (more…)

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