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Archive for the ‘Jason Jägel’ Category

topsySOUNDTRACK: BECK-Mellow Gold (1994).

mellowAnd then “Loser” happened and because of this preposterous song, over a million people have purchased a very peculiar album.  After listening to Soulmanure and One Foot, you can really see that Mellow Gold is a sort of greatest hits, or perhaps a most-commercial-potential collection from that period.  What’s especially strange about the album is that it includes scenes from the photo shoot for Soulmanure in the booklet.  I have also learned that “Loser” was done as something of a one-off, a goof that Beck threw together on the day of the recording–while the lyrics sure seem like it, the music is pretty spectacular–that slide guitar is instantly memorable.

The album does some very interesting things with stereo recording, which I never really noticed until I was listening with one earphone in–it rather changes the song, and that one channel may have more of the out of tune guitar noises too.

“Pay No Mind” has some crazy lyrics, although they do work, and, frankly, it’s a great acoustic folk song.  The noises and weirdness in the song make it more fun, but the melody is great on its own.  I can’t tell if his voice is slowed down or not, but the harmonica sounds great and raw.  “Fuckin’ with My Head” has a great garage rock sound (with more harmonica, this time distorted beyond all reason).  The verses are noisy but the chorus is so delicate.  “Whiskeyclone, Hotel City 1997” has a guitar which sounds decidedly out if tune.  It is probably the most anti-folk song on a major label album.

“Soul Suckin Jerk” has a cool funky bass line over a crazy noisy beat and weird effects.  It is also super catchy despite the crazy out of tune guitars and excessive feedback.  “Truckdrivin Neighbors Downstairs (Yellow Sweat)” opens with a fight (“c’mon motherfucker”).  Despite the chaos and vulgarity, it’s a very catchy song–the downward melody of “Shit kicking, speed taking, truck driving neighbor downstairs” is hard to resist.  That song is followed by one that opens with, of course, a music box and is called “Sweet Sunshine.”  It is the most distorted and unpleasant song on the album–as far from catchy as you can get and yet it still sounds completely Beck.

“Beercan” is a surprisingly awesome single tucked at the bottom of the album (even if it does have ear-splitting feedback in the middle. “Steal My Body Home” slows things down incredibly, a technique Beck would use a lot over the years–making a song sound very different by spacing it out more.  Especially when the solo comes in and there’s more out of tune guitars and a kazoo.

“Nightmare Hippie Girl” is a funny folk song (the lyrics are great), and again the melody is catchy and boppy.  It’s followed by one of my favorite songs on the album “Mutherfucker” which is a noisy piece of nonsense with the screeched chorus “Everyone’s out to get you motherfucker”.  It would get annoying really fast, but at 2 minutes, it’s an amusing and kind of fun to sing along to.  The album ends with “Blackhole” a slow and somewhat epic (5 minutes) acoustic song.  It feels big and the melodies evoke an epic song.  It’s quite pretty.  Naturally, there’s an obligatory piece of nonsense as a “bonus” track (apparently titled “Analog Odyssey”).  It’s just a minute or so of noise and is not worth mentioning).

Although this album is much more polished than the other to (the production is very clean which really lets all those weird elements stand out) it still shows Beck as a weird, freakish musician–extremely talented with a great ear for melody but someone who is not afraid to be loud and noisy just for the heck of it.  Mellow Gold is still an interesting listen twenty years later.

[READ: March 1, 2014] Topsy Turvy

Topsy Turvy came as a separate book with my copy of Lemony Snicket’s 29 Myths.  It was originally an insert in McSweeney’s 40.  At the time I said this:

This is an inserted graphic novel.  It has very simple illustrations, which I liked, although I didn’t really follow the story at all.

Since it is now its own entity, I’ll give it a bit more.

The book has a drawing per page.  Most pages have one word or  a few words.  Like “Nighttime” and “Some Are Awake” and “Size is Uncertain.”  The story invites us to see the people who are awake making potions to turn things into other things. (more…)

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SOUNDTRACK: MICHAEL HAGGINS-“Daybreak” (2004).

If you’re a fan of the show Community, you know that they play around with all kinds of conventions.  If you follow Community closely, you know that there are many recurring gags.  If you really pay attention, you may have heard a recurring gag.  There’s a song that has appeared in a number of episodes and each time it is heard, it is because a cast member is singing or hummng it.  The first time I encountered it was in the Halloween Episode where Abed is telling a story.  In his version, the kids turn on the radio and rather than hearing an immediate late breaking news story (which would never happen in real life), a song comes on the radio.  When they flash back to Abed telling the story, he hums the tune that goes on longer than you might think.  [I love that someone created an looped version of it].

The song appears again in various spots including at the end of an episode where Annie is on Troy and Abed’s show and she rearranges their bedroom.  Troy puts up a technical difficulties sign and hums the song too.

Well, it turns out that it’s a real song.  Forbes magazine (!) describes it as a relaxing number that could easily be played on any adult contemporary or smooth jazz radio station across the country.  It’s by Michael Haggins and it’s called “Daybreak.”  In the pillow forts and blankets episode when Real Neal plays the song over the radio, he announces it as “Daybreak,” which I guess is the real clue people needed to finding out the song (I assumed it was just something the staff made up).   So the next time that someone on the cast whistles or hums a song, there’s a good chance it’s this.

Here’s a clip of all the uses of the song on the show:

[READ: November 20, 2012] Hand Glider & Mud Mask

Brian McMullen is the guy behind the McSweeney’s McMullens childrens book imprint.  And this is his first book (I have no biographical info on Jägel).

This book has a terrific gimmick.  It was bound like a letter S, so there is a front cover, a middle cover and a back cover, but when you get to the back cover, because of the design, it is once again a front cover.  In other words, there are two short stories in this book Hang Glider and Mud Mask and when you get to the end of Hang Glider, the cover has turned so that you can now begin Mud Mask (no flipping necessary).  And the stories are connected, so it all works together very nicely. (more…)

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