SOUNDTRACK: YES-90125 (1983).
After the tumultuous release of Drama, Yes broke up. And then, soon after, they got back together. This time Jon Anderson was back on lead vocals and Trevor Horn was…producer? Steve Howe did not return after the breakup. He was replaced by a different Trevor, Trevor Rabin. And returning behind the keyboards was original original keyboardist Tony Kaye (woah).
This reincarnated Yes was supposed to be a band called Cinema with Squire, Alan White and Trevor Rabin. But when Anderson and Kaye joined in and Horn agreed to produce, they became Yes again.
They got rid of the old logo and replaced it with a bland one but a new symbol. Long gone is Roger Dean, replaced by a high-tech looking cover and a high-tech sounding album title 90125 (which, rather lamely was just the records catalog number (7-90125-1).
Despite the old school returnees, this album was pure 80s pop. I can imagine that many diehard yes fans hated it when it came out. There are moments of yes (Anderson’s voice and the harmony vocals), but there’s no intricate guitar, there’s no melodious synths, even the drums are modern sounding. The biggest difference between this and previous albums (aside from the whole new wave feel) is the crispness of the recording–sudden starts and stops, and really quiet breaks of songs. It’s very “produced” and not very warm.
But I wasn’t a die hard fan when it came out and I rather liked it and I still do. In fact I talked about this album a while ago, so i figured I’d just contextualize some of those ideas.
“Owner of a Lonely Heart” is a much-sampled 80s classic. The quality of the sound is pretty great and the music is also really spare–not a bad thing, just surprising. This and “Hold On” were written originally by Trevor Rabin (even though “Hold On” sounds very Yes with the choruses and big vocals). “Changes” was also written by Rabin. And I am fairly certain he sings the lead vocals, although I can’t find that information anywhere–it certainly isn’t Anderson.
“It Can Happen” is a very poppy song (well, they all are) which was originally written for Cinema, but which they modified for Yes. And so was “Cinema,” the two-minute instrumental. It was originally 20 minutes long, but they seriously reduced it for the Yes album–I’d like to hear the original to see if there’s any sense of a Yes epic in there.
“Leave It” is one of my favorite songs from the album with the voices which I assume are sampled, but possibly not There’s just so much electronic manipulation here, it is so un-Yes, but it sounds great. The production is perfect and the song is great.
“Our Song” has a really good chorus but it doesn’t quite achieve the excitement of the earlier songs. “City of Love” is the same for me, moments that are good, but the quality had to drop off somewhat on the record, right?. “Hearts” is the longest song and it actually lasts too log. Again, the chorus is good, but it kind of drifts after a bit.
That doesn’t stop it from being a great album, with a ton of great songs front loaded on the album and presumably a nice load of cash for the guys to spend (how mad must Howe be that he chose that time not to come back?).
Since almost every Yes album had different personnel, I’m going to keep a running tally here. This is a biggie, look who has left!
Chris Squire-bass
Jon Anderson (#1, replaced Trevor Horn #2) vocals
Alan White (#2)-drums
Tony Kaye #1 (replaced Geoff Downes #4)-keyboards
Trevor Rabin (#3 replaced Steve Howe #2)-guitar
[READ: April 20, 2015] Foiled
Jane Yolen has written over 300 books apparently. I know her more as a children’s book maker and hadn’t read any of her YA books.
This book was really wonderful. And I’m aware that it’s part one of two, although it ended satisfyingly.
Aliera Carstairs is a fencer in high school. She started fencing when she was 11 and had a real aptitude for it. Her coach suggested she could make nationals. She has defeated girls and boys much older than her. She has a gift.
She has no social life, but she doesn’t mind. She doesn’t fit in with the jocks, the goths, the nerds or really anyone, she just is herself. She also has a cousin whom she visits every Saturday. Her cousin has rheumatoid arthritis so she is confined to a wheelchair. But she and Aliera play role playing games every Saturday. While they play, Aliera becomes queen Xenda of Xenon, swordfighter extraordinaire (which she knows is not much of a stretch, bit it’s still fun).
She also has a mom who loves buying things at yard sales and Salvation Armies. And she manages to get Aliera a practice fencing sword for $2. It has a really cheesy ruby on the handle but aside from that it’s quite good. (more…)
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SOUNDTRACK: BETTY LaVETTE-Tiny Desk Concert #61 (May 21, 2010).
Another peculiar Tiny Desk is this one from Betty LaVette. It’s only peculiar because, for licensing reasons, they can only show one of the three songs she sang.
I Just Read About That... 