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Archive for the ‘Jan Van Meter’ Category

SOUNDTRACK: NO FORCEFIELD-God is an Excuse (2001).

I was looking up what Larry LaLonde, guitarist for Primus, had been up to while Primus seems to be on hiatus.  I hadn’t heard a word from him, so I was surprised to see that he had released two albums with a band called No Forcefield.

I looked for the discs, and found both of them used for $1.00 each.  So I ordered them without really knowing what they were about, except that they were described as “experimental.”

This is the second disc by the band which consists of Brain and Ler from Primus as well as assorted other fellows (Bob Cock) and guests.  And experimental is an okay word to describe the record.  But a better one is disappointing.

With the lineage that these guys bring to the band, it’s surprising how mundane the disc is. It opens with a phone message about Bin Laden and God which morphs into the hilarious Denis Leary bit about CDs and the silver dog bone thing.  It then becomes a fairly straightforward electronic track.  And this electronic stuff is kind of the purpose of the group, I think.  There are at least 3 long, simple instrumentals that are little more than a few notes repeated over a drum beat.

The other tracks are complete nonsense: a faux TV show with “products” for sale which is a teensey bit funny, but not really.  There’s also Billy Roz, whoever that may be, crooning “You Are My Sunshine” as well as some polkas over a drum machine (he sings like an old doddering man).  And finally a short drum solo.

It’s not even clear to me why Ler is in the band as it seems to be mostly drums and a simple keyboard chord.  The only interesting track on the disc is “How to Purify Street Heroin” which is an awesome scratchy workout which I assume is by DJ Disk from the Invisbl Skratch Piklz.  And that’s pretty much it.

I was really disappointed my first go around, as I was expecting something, anything, more than this.  On subsequent listens, I can appreciate the disc as background/comedy although really neither one is a reason to hunt this down.

[READ: January 21, 2010] Too Much Hopeless Savages

This third collection of the Hopeless Savages saga sees many new revelations.  Turns out that Nikki Savage’s mom has come under the influence of a preacher who is intent on praying at the Hopeless-Savage house trying to get them to react in some way.  (I’m a little unclear exactly what his goal is here).

At the same time, Arsenal and her boyfriend and Twitch and his boyfriend (the  boyfriends are brothers) are off to the boyfriends’ homeland of Hong Kong.  Arsenal is there for a martial arts competition and Twitch heads along so that the H-S siblings can meet their boyfriends’ great grandmother.

Hijinx naturally ensue.  In this case, Arsenal is slipped a very valuable package and she soon has numerous groups of men after her (it’s unclear if any of them are up to any good).  The rest of the family decamps for Hong Kong to escape from all the praying (and they bring grandma along to de-brainwash her).

What is surprising about the story is the emotional depth that comes out of an incident from Arsenal’s past.  (more…)

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SOUNDTRACKTOM WAITS-Glitter and Doom Live (2009).

Sarah bought me Tom Waits’s 3 disc collection for Christmas last year and I was sure it would be another Waits Xmas since this was nicely timed for an under the tree gift.  But no!  I had to buy this one myself (she says she forgot, but as punishment I may just make her listen to this one).

It’s a two disc set.  The first is a collection of live tracks from all over the world (well actually Birmingham, Edinburgh, Tulsa, Knoxville, Milan, Jacksonville, Paris, Dublin, Atlanta and Columbus–a strange Western Europe-Southern U.S. Tour, apparently).

I’ve never seen Tom live, although I have seen videos from Big Time.  And this is the first batch of live tracks I’ve heard in these latter days of his career.  And I have to say he sounds great.  The gravel in his throat is thick and gritty, yet he still hits all the notes.   And while his studio tracks are full of all kinds of cool instrumentation and embellishments, the spare live band (who sound fantastic) shows that his songs are great even without the bells and whistles.

The funny thing to me is how “Dirt in the Ground” an older song that I love sounds so very different, even though Tom’s voice isn’t all that different.  Of course, he plays some even older tracks that are totally reworked. And they sound great, too.  This all keeps the tracks fluid and seamless, and while the older tracks wouldn’t sound dated anyhow, it makes them all sound new.

Disc Two is a 35 minute track called “Tom’s Tales.”  It is a spliced together “story” of all the interstitial talking bits that Tom throws into his shows.  There’s jokes, there’s stories, there’s nonsense, and it’s all good fun.  For all his dour music, he;s quite a funny performer.  It’ll probably get one or two plays at most, but it’s certainly fun to listen to.

I just read a review of the disc that complains about the separation of music and talk.  And I see the critic’s point: cutting out the banter removes an essential part of Tom’s shows, while having all the talking bits together kind of dooms that disc to be listened to only once or twice.

While I agree with the sentiment, I’m not sure about the musical disc lacking something without the banter.  While it would be fun to have it in there, there is something nice about having just the music.  (And of course, there is one tale tacked on like an encore break (and one song at the end of the music disc, too).  It keeps the flow very solid and makes for an excellent song collection.

It’s a great place to find out what Tom has been up to on the last half dozen or so albums.

[READ: January 17, 2010] Ground Zero

Trade paperback #2 of Hopeless Savages collects the entire second series, with a few extras thrown in (and a very nice introduction).  And while I enjoyed the first series, Ground Zero is leaps and bounds more sophisticated and satisfying.  Even the title is a pun, what with Zero, the youngest Hopeless-Savage being grounded for most of the story.

The main focus is Zero’s burgeoning romance.  She is mostly off the boys at her school (typical comment: Your name is Skank, you must be easy), until she meets a boy in her science class who totally impresses her.  He’s named Ginger, after Ginger Baker, nice touch there.  And in a flashback we learn that although she hasn’t paid him any attention, he has loved her for years since their first accidental meeting.

I’m going to quote from Andrew Wheeler’s introduction because he sums up exactly what I think of the story: “It tells us that the most courageous thing of all is simply to fall in love.  The bravest thing to do is to place your heart in someone else’s hand.”  And that hits the nail on the head.  Pretty good for a comic book. (more…)

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SOUNDTRACK: SARAH HARMER-I’m a Mountain (2005).

I first heard Sarah Harmer in 2000, with her “Basement Apartment” single (which always made me think of my friend Ailish who, at the time, lived in a basement apartment in Brookline, Mass.)

My wife Sarah has this CD playing in the car and I’d forgotten how much I liked it.  Unlike the You Were Here, I’m a Mountain is much more country music sounding. I’m not much of a fan of country music as a rule, but there is something about country music from Canada that just sounds better to me.  It tends to have more of a crossover sound, and is lyrically more interesting to me.  Maybe it has something to do withe Calgary Stampede.

While two or three tracks on here could easily fit on a country station, the album still got nominated for a Juno for Best Adult Alternative album.

To me, the album really kicks into high gear with the title track, which is funny and catchy (the line about Wal Mart is a good one).  The cover of Dolly Parton’s “Will He Be Waiting for Me?” is beautiful.  And the French song “Salamandre” sounds gorgeous even if I have no idea what she’s on about.”  The disc closes with my favorite song: “Luther’s Got the Blues” a wonderfully funny country song written by Luther Wright.  And in Sarah’s hands, it turns into a yodeling masterpiece.

You might hear Sarah’s voice backing up all kinds of bands.  And her voice really is fantastic.  So, should you tend to shy from country music as I do, this may be an entry way for you.

[READ: January 15, 2010] Hopeless Savages

I read this comic years ago, and loved it quite a lot.  I found it right around when I found Blue Monday. I recently tacked down the third trade paperback, so I figured I’d read all three again.

The premise here is that Dirk Hopeless and Nikki Savage, two old school punk rockers fall in love and settle down.  They have four kids: Rat Bastard, Arsenal Fierce, Twitch Strummer & Skank Zero Hopeless-Savage.  Each kid is a traditional punk: bad assed, fierce and take no shit.  But they are also pacifist by trade (Ronald Reagan took on the world with force, so force is for fascists, too right!).  Self defense is okay, mind you.

In this first story (there’s three trade volumes published so far), there’s not too much punks-in-proper-society comedy, because it’s all action.  The kids’ mum and da have been kidnapped, and its up to the four of them to find them.  Well, actually it’s up to the three of them to find Rat and then find their parents. For you see, Rat Bastard has sold out and gone commercial. (more…)

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