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Archive for the ‘Glenn Eichler’ Category

stuffedSOUNDTRACK: BIO RITMO-Tiny Desk Concert #392 (September 29, 2014).

bioritBio Ritmo is a nine-piece band that has played salsa music for 23 years (as of 2014).  The back beat and rhythm is pure salsa–there’s a drummer (who has that classic salsa drum sound) and two bongo players.  There’s shakers and scrapers and timbales and congas and a cowbell.

The four horns players (two trumpets, sax and trombone) punctuate all o the right notes to get you moving along.

The first song is “La Via.”  The main driving force seems to be the keyboard, which was unexpected–it adds a kind of Latin jazz feel to the proceedings.  I love the way the keyboards shift from a Latin feel to a more groovy 70s feel before the vocals start.  There’s a cool break in the middle of the song when it stops and we get a few pounding notes before the song resumes.  Classic salsa.

“Picaresca”has fun dancey rhythm and a lengthy trumpet solo, giving it another interesting salsa/jazz feel.  The keyboard solo sounds a little cheesey here–like they need better sounds on that program, but it’s the drums “solo” in the middle that makes this song so much fun.  It’s a great instrumental.

“Perdido” goes through many different genres.  He explains that it begins like a Puerto Rican dance from the 1800s and then goes “into other stuff.”  The opening does indeed sound like an old song and after a few verses it morphs into modern salsa once again.

I really enjoyed this set a lot.  Most salsa music sounds the same to me, but I really like it when I hear it. On the downside, this is the first Tiny Desk Concert where I felt like the band wasn’t mic’d effectively.  The vocals are really quiet (almost inaudible at times), and when the trombonist does a solo it’s also a little too quiet.  But the main focus is the percussion and that’s plenty loud!

[READ: May 10, 2016] Stuffed

I have had to interlibrary loan a lot of the rest of the First Second books because my library system doesn’t have them.  Usually if a library doesn’t have an older book it’s because not many people read it any more so they got rid of it.  That doesn’t necessarily mean the book is bad, but it doesn’t  give you a ton of confidence about it.  But this book defied every expectation and wound up being outstanding!

I assumed this title would be a cautionary tale about someone eating too much.  I had no idea what I was actually in for!

As the book opens, we meet Tim. He works for a benefits department of an insurance company (it sounds awful).  He gets a call that his father is dying.  He rushes to the hospital just in time  to see his father insult him once more before breathing his last.  His father’s estate is to be split between himself and his half-brother, Ollie.  No one has seen Ollie in ages.  When they do track him down, he is now known as “Free Spirit.” (more…)

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muashSOUNDTRACK: BRANDY CLARK-Tiny Desk Concert #542 (June 20, 2016).

brandyCountry is pretty much the only genre I really don’t like, and, sadly for me, the genre seems to be seeping over into areas that I like (such as what happened in the alt-country movement in the 90s).  The one saving grace, (and actually major draw), of a lot of this new country is that the songwriters are exploring new lyrical territory.  And in particular, the women are writing sassy, funny, ass-kicking songs.

Brandy Clark (in black leather pants no less) has written for many other singers and finally decided to do her own stuff.

The entire lyric of “Daughter” is hilarious.  It’s an awesome revenge fantasy which, as the blurb suggests, “knows that fate is likely to do more damage to a cad than a key would ever do to his car’s glossy paint job.”

It’s got the great chorus:

I hope you have a daughter and I hope that she’s a fox / Daddy’s little girl just as sweet as she is hot / she can’t help to love them boys who love to love and leave them just like her father / Yes karma’s a bitch so I hope you have a daughter.

The second song is a sentimental song about her dead father.  The melody is very pretty, but I don’t need to hear songs like this.

But it’s back to the funny with the really sassy “Girl Next Door.”  It takes to task another cheating man:

If you want the girl next store then go next door… [much faster] and go right now and don’t look back and don’t turn around don’t call me when you get bored, yeah if you want the girl next door then go next door.

It’s a genius line and I really like the tone of her voice in this song (less twangy and more angry).  It could make me like country more.

[READ: April 1, 2016] Mush!

The title of this book promised a very funny story.  I really didn’t expect the “issues” to be quite so existential.

This book is broken into 10 chapters, with the first one opening on a man and his sled dogs mushing across the frozen tundra (actually Alaska).  We are introduced to The Boss and his Mate and the six dogs (from the dog’s perspective).  And then we see the dogs talking to each other. The crux of their conversation is that they are bored and wish they were running.  The lead dog, Dolly, loves to run, although she is unsure is she is qualified to lead the other dogs.

For some reason Buddy has a really big nose and is rather dumb.

Then we jump inside the house and see some intense friction.  The man of the house is a loner, a rebel, Dottie.  He hates society and doesn’t even like going into the city to get supplies.  His mate, meanwhile, loves him and wants to be with him–she knows the risks and troubles of doing it off the grid, but she also likes to go into town from time to time.  And she misses apricots.  Frankly, he is such a dick that I can’t imagine why she stays with him. (more…)

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