SOUNDTRACK: ST. VINCENT-Tiny Desk Concert #696 (January 22, 2018).
The new St. Vincent album is not very guitar heavy. There are guitars but they are often very processed soundings. And there’s very little in the way of shredding.
On tour, she has been playing acoustic guitar versions of some of the songs for VIP guests. I was curious what kind of Tiny Desk Concert St. Vincent would do. And I am delighted that she chose to do the acoustic show here (even though a set of old and new stuff with just her and the acoustic guitar would be amazing). As Bob says:
Whenever I imagined a St. Vincent Tiny Desk Concert, it was always going to be loud and electric.
I recently saw St. Vincent live, but getting to see her up this close, it’s really amazing just how long her fingers are. This lets her play some really interesting chords. So here she is with just her acoustic guitar, playing three songs from MASSEDUCTION.
Annie Clark stood at my desk, in front of a few hundred-plus NPR employees and close friends, and hit us hard with her un-amplified voice, unplugged guitar, her checkered wardrobe and most importantly, her songs.
“New York” is wonderful to hear on guitar as the album version is all piano. I love the way the simple back and forth chords of the chorus are replaced by the really interesting and complex chords of the verses.
“Los Ageless” sounds so very different in this version. Rather than the full on dance version, this opens with a plucked guitar chord structure and some cool fast guitar solo-ettes. It is remarkably different from the slick production of the album. The chorus which is powerful and wonderful on record is slowed down and almost quiet here–a very different take on this great song. One that really shows off her voice, too.
After telling the NPR staff that she listened every day, she says she has one question “She heard that underneath her sensible button down Terry Gross has full sleeves of tattoos.” Bob: “All true.” “That’s what I figured. Terry goes hard.”
“Slow Disco” ends the album and it too is very different here. It really showcases her voice, especially at the end. The acoustic versions don’t really show off her mad guitar skills, but they do show some interesting chords structures. I wonder if after her next album, if she returns to a more guitar-based sound, if these songs will get a new treatment live.
It’s fascinating to see her swaying as she plays these songs because live she is stock still, unmoving and statuesque, Bob also notes:
This stripped-down set is more about emotion, more about a one-on-one connection, and that’s the bravery. To come out from the lights and the effects, leaving the laptop sync behind, pulled me into these songs in ways both the album and her live show hadn’t.
You can hear similar acoustic versions (as well as an interview) from World Cafe.
[READ: January 9, 2017] “Texas”
This is the first story I’ve read by Gates. It is about Garver, a sixty-three year old painter and how his life has changed since his wife left him to move to Italy.
His children wished he’d had a better attitude, but who were they to talk. William, his oldest, had actually graduated, with a degree in marketing. Emma had gotten pregnant in her sophomore year and was a stay at home mom in Texas. Marianne had finally straightened out enough to hold down a job at an animal shelter near Burlington.
He still lived in the huge house that his children grew up in. He still had payments on it. And he was too young for social security. But he needed money. So he decided to rent out the big house and live full-time in his studio out building–which was four-season ready and even had a mini fridge that he installed when he and his wife stopped speaking. (more…)
I Just Read About That... 