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Archive for the ‘Adam O’Fallon Price’ Category

SOUNDTRACK:

[READ: December 14, 2024] “The Lottery”

This year my wife ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

Ten years of stories! Yikes, where does the time go?
When the first Short Story Advent Calendar launched, in 2015, we frankly had no clue we’d still be sitting here today, continuing to offer up batches of tasty stories fresh from the oven. To celebrate this milestone, we’ve packed the 10th SSAC with a mix of new and familiar names—ideal company for those chilly winter nights ahead.

The author of this story was Adam O’Fallon Price.  Each day has an online component with the author with a brief interview.

It’s December 14. Adam O’Fallon Price, author of The Hotel Neversink, answered the skill-testing question with time to spare.

This was a story that when from big highs to dark lows pretty quickly.  As the story opens a recently married couple (Paul and Laura) has just won the lottery.  And we quickly learn how different the two are by what they decide to do with the winning ticket–not the money, the ticket. (more…)

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SOUNDTRACK: MICHAEL KIWANUKA: Tiny Desk (Home) Concert #112 (November 16, 2020).

Michael Kiwanuka was on my radar for a few years, although I never actually knew who was singing these songs that I liked.

His previous album Love & Hate was hugely praised (although I missed it that year).  It and his most recent album Kiwanuka are fantastic. His songs are big with lots of electric guitar parts.  They are catchy but complex.  And his voice is just amazing–somehow quiet and powerful at the same time.

The warm texture of his voice and tenderness of his soul belie the depth of his songwriting, which ranges from sociopolitical works to songs revealing the inner chambers of self-exploration.

For this Tiny Desk (Home) Concert, Kiwanuka performs

from a “rainy London” flat that’s dimly lit with a vintage feel.

Kiwanuka plays five songs, but they are very different from the album versions.  Three of these songs are played on acoustic guitar.  This shows that the kernel of these songs is wonderful without and soaring electric guitar.

The Mercury Prize-winning musician evokes an all-encompassing softness in spirit as he leads viewers into the “Light,” the first of five songs in his Tiny Desk (home) concert.

The first two songs “Light” and “Hard To Say Goodbye” (both from Kiwanuka) are played on acoustic guitar.  They are pretty and gentle, warm and inviting.

He switches to the electric guitar for “Hero” (also from Kiwanuka).  On the album, the song is broken into two parts (I never realized this).  You can hear the difference in the parts very distinctly here as part two sounds really different from the first.  He stays with the electric guitar for “Cold Little Heart” (the opening track from Love & Hate).  You can hear the consistency in his songwriting with this earlier track.

He returns to Kiwanuka for the final song, “Solid Ground.”  But he plays this song on an organ–a beautiful rich sound.

Even with the different instrumentation, the songs retain their essential sound.  This set offers wonderful insight into Kiwanuka’s performance.  (That’s Kiwanuka on stage in the movie Yesterday, by the way)

[READ: December 10, 2020] “Vera Something”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 10.  Adam O’Fallon Price, author of The Hotel Neversink, would walk five hundred miles, but not a step further.  [Click the link to the H&O extras for the story].

This story felt very different from the other ones so far.  I was certain that it was an old story.  It is set in the 1950s and I believed it was written then and that’s why it felt so different.  It wasn’t, it is very current.  Then I read in the link above that this story was a chapter from the novel The Hotel Neversink.  However, this chapter was removed from the novel because it didn’t quite fit.

I don’t know if Adam tweaked this into a short story or if it remains as it was.  But it feels slower, yes, like from a novel.  And although it felt slower, it was in no way less engaging.

Sam met Vera at the Hotel Neversink in the Catskills–during a singles event.  They were both from New York City, in their twenties and more or less pressured by their parents to find a mate.  They had a surprisingly good time together.  Sam had taken her picture (with his Polaroid) and she had written her phone number in the white part. (more…)

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SOUNDTRACK: IMOGEN HEAP-Tiny Desk Concert #859 (June 20, 2019).

I know of Imogen Heap from a song called “Come Here Boy” that she released way back in 1998.  It was stark and dramatic and somewhat sexual. In short, a quintessential 90s track.

Then she disappeared.

Well, she actually made an album with Guy Sigsworth as Frou Frou.  And then she disappeared a again.

Actually she didn’t disappear at all. She released a song, “Hide and Seek” which was mostly just her singing into a vocoder (and was quite transfixing.  It became a huge hit (which I didn’t know about because I didn’t watch The O.C.).

But in 2011, she started experimenting with these high tech gloves that allowed her to do all kinds of audio manipulation just by moving her hands.

She even says, some people know me because I am interested in block chain technology and some people know me for these gloves.  They don’t even know I make music they just know about the gloves.

But in this Concert, the gloves come last.

Up first is the first song that she and Guy Sigsworth have written together in 17 years.  “Guitar Song” (she tends to leave placeholder names, so that will likely change) is a quiet pretty song with a lot of, yes, guitar from Steve Jones.  It’s a simple melody fleshed out with keys from Sigsworth.  It’s really pretty and very catchy.

Up next is “Speeding Cars” which she says was a B-side that was never released as a single but which her fans really love.  Zoë Keating plays cello and Imogen says she has a terrific album of her own called Snowmelt and she hopes Keating gets her own Tiny Desk someday.  Tim Keiper is on drums and vast array of percussion.  Imogen is on the piano she has an excellent falsetto for this very pretty song.

Then she puts on the Mi.Mu gloves.

Imogen Heap not only has an enchanting voice but also the talents of a world-class audio engineer. She’s completely engrossed in a technology she’s helped to develop, one that makes it possible to alter sounds, create loops and compose tunes all with the wave of her glove-wearing hands. The high-tech gloves, now called Mi.Mu Gloves, were first shown at a TEDGlobal conference eight years ago. Her performances, with her sound-altering arm and hand gestures, resemble a summoning of spirits, a far more compelling live experience than what Imogen said used to look like she was standing behind her laptop checking email.

She gives a lengthy explanation and brief demonstration of these very cool loves.  Then it’s on to “Hide and Seek,” which she had re-imagined for the Broadway play, Harry Potter and the Cursed Child and which she says that if she doesn’t play people throw tomatoes at her.

It really sounds nothing like the original but it is amazing to watch her make the song with her hands waving around.

[READ: June 1, 2019] “The Maid’s Story”

This story introduces us to the Gersons, a family on vacation in a hotel. The husband is small and insignificant. But the wife is larger than life.  Both physically and in personality.

Hannah Kohl, the maid, was taken with Mr Gerson’s red brooch and when she went to clean the room later, she pocketed it.  As she did so, she promised herself it would be the last thing she ever took from a patron.

But Mrs Gershon walked in before the maid had time to close the jewelry box.  She told her it was costume and worth nothing but how could the maid have thought Mrs Gerson wouldn’t notice?

The maid is very apologetic.  She begs not to be ratted out and pleads with the woman.  She says her eight-year-old son has polio (“So did our president, but Eleanor doesn’t go around stealing jewelry).

Mrs Gerson asks where Hannah is from–Wroclaw Poland.  In the camp? No, her father moved them before.  And the hotel owner’s second cousin helped them.  Then Hannah did something unexpected–she opened up to Mrs Gerson about her travels and her life.

Mrs Gerson diagnosed her as a kleptomaniac (she compulsively stile things she didn’t need).  But she was mostly concerned about the boy, Isaac.  She insisted that he receive proper care for his polio  The doctor Hannah’d been going to was an elder in the old country synagogue who showed no evidence that he knew anything about medicine  He said the polio would clear up and go away on its own.

The new doctor was in Manhattan, a lengthy trip for Hannah and Isaac.  Mrs Gerson said they could stay with her family when they traveled in.

The doctor gave many recommendations and said that Mrs Gerson was paying for it all.

The Gerson children were uninterested in Isaac until he told them a story about people dying at the hotel.  They found his story (which was partly made up) to be engrossing.

After dinner Mr Gerson excused himself and left the two women to talk.  Mrs Gerson pulled Hannah on to her lap  She soothed her and stroked her head but soon the stroking became sexual.  This made Hannah very uncomfortable and she froze, enduring the touches which gave her revulsed pleasure.

Hannah and Issac went to Manhattan twice a month.  Each time, the same thing happened.  Mrs Gerson never said anything about it, but it happened nonetheless. It was especially upsetting because Hannah very much liked Mrs Gerson otherwise. She was funny and bold and seemed genuinely interested in their health and prosperity.  And Hannah would put p with anything for Isaac;s welfare.

Soon, Issac was deemed just about normal;–one more visit would do it.

One night, Mrs Gerson revealed that all of their money was her husband’s–her family is as poor as Hannah’s. Nobody least of all Mrs Gerson really understood why Bert chose her.  Plus, he always knew that Mrs Gerson liked girls better.

Bert wants things to be easy.  So Mrs Gerson does everything—raises the kids, takes care of family affairs.

The thing with wives is they can leave. Mothers can’t.

Finally Mrs Gerson declared that she loved Hannah.

Hannah grabbed her things and Isaac and left.

When Hannah returned to the hotel, she was called to the office and informed that a guest said that Hannah had stolen from them.  They had to let her go.

What could Hannah possibly do?

 

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