SOUNDTRACK: BRITISH SEA POWER-Do You Like Rock Music? (2008).
I’ve heard a lot about British Sea Power over the years, and I’ve enjoyed their smarty-pants attitudes. I think that their first album is most highly recommended. But I was able to get this disc with an autographed booklet from my favorite record store of all time, the long-missed (since they have no locations near me) Newbury Comics. So I tried them out.
I can’t speak for their earlier discs, but I’m surprised by how much this disc reminds me of The Arcade Fire, which is odd given their Britrock pedigrees. It opens with “All In It” which sounds like it could be an Arcade Fire outtake. And as the rest of the disc continues, I found myself hearing bits and pieces of other bands. I couldn’t put my finger on anything specific, but I kept thinking, ‘hey, that sounds like–.”
The biggest problem I had with the disc was that even after a few listens, most of it didn’t stick with me. There were definitely moments where things really stood out (chanting choruses and whatnot), but overall, I kind of felt a lack of anything special.
The album closes with “We Close Our Eyes” which is a reprise of sorts of the awesome opening track. Whereas the first track is 2 minutes, this one is 8, and it has lots of silences or quiet sound effects and it ultimately ends with a similar chant to the beginning. But by the time that kicks back in, you’re just sort of annoyed by it.
I wish I could use that as a metaphor for the disc, but I can’t. I enjoyed some of it, and didn’t dislike any of it really, but it doesn’t make me want to rush out and get their first album, even if it is supposed to be much better (and actually rather different). I just wanted this disc to be better.
[READ: January 23, 2010] Love the Way You Love: Side B
I really enjoyed part A of this story. And, at the end of that review, I had asked if Jamie S. Rich had recorded any of the Like a Dog songs. Jamie wrote back to say that “Love the Way You Love” is available, on MySpace. Now, I only wish he had included the wonderfully scalding punk B side, “Mighty Joe Marxism” that is featured in this second book.
But back to the story.
When we left off in Book A, Tristan has successfully wooed Isobel away from the evil record producer, Marcus King. And he had successfully signed his band Like a Dog to a righteous indie label.
But all is now not well. Marcus has pulled strings and caused a huge backlash on Like A Dog. No clubs will book them and no distributors will carry their soon-to-be recorded first single. And Isobel feels responsible for Tristan’s sadness. This becomes even more apparent when Marcus basically says that he’ll lift the ban if Isobel goes back out with him. (more…)

SOUNDTRACK: RHEOSTATICS-The Nightline Sessions (1998).
This is a fascinating document for any Rheostatics fan. I wound up buying it at the same time as Double Live, even though I couldn’t tell exactly what it was because it was really cheap.