[ATTENDED: November 5, 2025] Feliz y Dada
My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible. They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost. But my son was intrigued and I told him we could see them again.
So when they announced a headlining tour I grabbed tickets for my son and I. And what a treat to get there early and be right up front for the show.
The opening band was Feliz y Dada, whom I had no heard of. When I looked them up it was unclear if they were a real band, a novelty band or possibly even members of The Mars Volta. Many speculated that the lead singer was Teri Gender Bender. I never found out, but I didn’t care because their set was bizarre and wonderful.
The stage was curtained off to give them a small area up front. A massive stack of (fake) speakers was behind them and they were given a black curtain to hide the rest of the stage.
Feliz y Dada is a trio. All three members wear masks with a kind of horn on top and four eyes. They also wear robes and dance around slowly–waving their bodies back and forth–a perfect encapsulation of “alien life.”
There is literally nothing like them. The guy on the left had a large pyramid that he kept tapping as if he was playing bass notes or something (it clearly didn’t make any sound, but it did light up). I assume the guy on the right was playing all of the sounds–although it’s also possible he simply started the song and then pretended to play things like the guy on the left.
The singer was singing live but her voice was so distorted and auto-tuned as to be unrecognizable and completely un-understandable. But she danced around slowly and approached everyone in the front in a slow and methodical way–waving and seeming to suss out what the vibe was. She also sang into a telephone at one point for what I think was Well Hello.
They sang four short songs and that was that.
It was equal parts music and performance art–a surreal, 15-minutes to be sure. I loved every second of it, but I’m not sure if I would have loved say 40 minutes of it.
When the set was over, the crew came out and took all of the empty cabinets away and made the area ready for Kianí Medina.
SETLIST
Deadbolts
Well Hello
Drown in the Thames
unknown
Here’s a video of their set in Texas which was just like ours in Philly

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