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Archive for December, 2023

SOUNDTRACK:

[READ: December 2, 2023] “The Virgin Oyster”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Jessica Anthony.  Each day has an online component with the author with a brief interview.

It’s December 2. Jessica Anthony, author of Enter the Aardvark, has time to lean, but no time to clean.

This was an odd story.

It’s about a young man who works in a strip club called XXXX.  Wednesday night is oyster night and they call him Oyster Boy because he has to run across town to get the oysters for the club,

He gets $2.25 an hour plus tips (and the tips are really good on oyster night). (more…)

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[DID NOT ATTEND: December 1, 2023] Baroness / Sheer Mag / Uniform / Zorn

I was really looking forward to this show.  I had seen Baroness in Kung Fu Necktie.  It was a fun show, but it was close and crowded and, while it was a great experience I wanted to see them in a bigger (but not huge) place.  Union Transfer was perfect.

Then I got COVID.

I was so bummed.  And with COVID being so weird these days, I wouldn’t have even tested if the tests hadn’t just come in the mail that day.  But I took it and couldn’t in good conscience go to the show.

I had been torn about when to get to this show, though.  It started at 6:30, which is insane.  And the openingest band was called Zorn.  Not John Zorn, but Zorn, a Philly based metal/punk band that I was really curious to see.  I mean check out this review from Punknews.org

During Zorn’s set, singer Eric Flea approached one of three already burning torches on stage, whipped out a sword, lit the sword on fire, and began waiving it all around as the flames grew up to some eight feet. I mean, that’s all I have to say about the Philly Vender Bender from October 28, 2022. What else can I say? A flaming sword!

I’ll admit, I was worried about Zorn. The band quickly released a string of excellent EPs which coincided with a string of excellent live shows (bandmembers jumping out coffins; people dressed like plague monks; chains being whipped at the audience; really kick ass death punk) but then, things seemed to go… silent. Was one of Philly’s most promising acts snuffed out in the bud before the flame could grow?

For one thing, Zorn was in raw and ragged and crazed top form. Their songs are as fast and as furious as ever. And, their strongest asset (aside from a great core concept) is that they’ve found that perfect sweet spot between metal and punk where the songs have the epic, grandiosity of metal as well as the slam-damn-heaviness, but they also have the unpredictable swing and danger of punk rock. A lot bands try to mix metal and punk and most of them are terrible. At the show, as the epics riffs swung upwards only for the screeched vocals to tear them back down, Zorn proved that it can be done and that the sum is greater than the parts.

The band also played some newish songs. the new tracks are more complex and frantic than earlier hits. This makes the band particularly effective because, while a lot of the spooky bands sound cool for a song or two, all their songs sound like those one or two songs. at the show, Zorn had a core style, but were able to flex it into a broad array of slashing. I’ll also add that the band has some degree of self-awareness, which, much likes Bauhaus, is the extra bit of pop that makes this band soooo good.

Also, did I mention that they started the show by having pallbearers bring out the aforementioned torches and a coffin, only for the vocalist to jump out of said coffin and throw said coffin lid at the audience? Now, THAT’S WHAT I AM HERE TO SEE.

(more…)

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[ATTENDED: November 29, 2023] Touché Amoré

Touché Amoré (what a fun name to say) have been on my radar for a little over a year.  I assumed they were a dance band, not a punk band.  But indeed. They punk.

And they punk hard.

The band came out and started right in with a big, clean sound and singer Jeremy Bolm screaming the lyrics.  The best thing about his screaming is that it is intense like old school punk, but it is completely clear.

I loved that for every verse or chorus he put the mic out for the audience to sing the last word or phrase. And they did.  There was a huge Touché Amoré fanbase there.  [There was a gross couple in front of me who had hands all over each other who, thankfully, left after the band was done].

At first I thought they were “just” a screaming punk band.  But I quickly got totally into them.  I loved the sound of the band–not too complicated but every song has something interesting going on in it.  Drummer Elliot Babin is a maniac behind the kit.  And I loved that you could hear both guitarists Clayton Stevens and Nick Steinhardt very clearly (Nick Steinhardt was on the far side of the stage, so I couldn’t see him very well, but I could clearly see his sparkly shirt).  And bassist Tyler Kirby would punctuate songs with excellent thumping bass.

But it was the lyrics that constantly impressed me.  I couldn’t understand them all obviously, but the ones I did were impressive. (more…)

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[DID NOT ATTEND: December 1, 2023] Darlingside / Field Guide

My wife and I were huge fans of Darlingside.  Seen them four times and pit them on my “always see them” list.

But for some reason, the last few times they announced shows nearby we weren’t that interested.

It may be temporary or maybe their original sound was exactly what I needed at that time.

They have changed a little over t he last few years, including the departure of one of their core members.  I don;t think that has anything to do with our lake of interest.  Honestly it may just be end of the year burn out.

So, maybe if they come around again soon we’ll check them out.  I just checked and saw that it has been four years snce we’ve seen them.  Maybe next time we’re due.

I hadn’t heard of Field Guide.  A review from Red Guitar Music says

 Hailing from Manitoba, Canada, Field Guide is the brainchild of singer-songwriter Dylan MacDonald and Full Time is a beautifully hushed quartet of thoughtfully written, warmly delivered songs of heartbreak, loss and leaving.  Artists trading in confessional acoustic intimacy are pretty easy to come by but what sets Field Guide apart from the crowd is the lyrical quality and the careful, understated execution in what they do.  Rather than wallowing in regret, the songs take a more philosophical path, which oddly makes this record feel more like a pick-me-up than a drag-me-down.  The songs are sad but matter-of-fact; sober but wry.

Sounds like the kind of nice opening act that Darlingside would pick.

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SOUNDTRACK:

[READ: December 1, 2023] “Notes on the Craft of Fiction”

This year my wife ordered me The Short Story Advent Calendar.  This is my sixth time reading the Calendar–it’s a holiday tradition!  Here’s what H&O says about the calendar this year.

The 2023 Short Story Advent Calendar is a deluxe box set of individual short stories from some of the best writers in North America and beyond.  Now in its ninth year, the SSAC is back to once again bring readers a deluxe, peppermint-fresh collection of 25 short stories from some of the best writers in North America and beyond.

The author of this story was Sam Shelstad.  Each day has an online component with the author with a brief interview.

It’s December 1. To officially kick off the 2023 Short Story Advent Calendar, here are some iron-clad rules for writing your own short story by the author of Cop House.

This story was really quite funny and was a great way to start the collection.

Shelstad explains

The story is excerpted from my novel The Cobra and the Key, which came out this October with Touchwood Editions. The novel takes the form of a creative-writing guide, where the guide’s fictional author can’t help but reference his personal life and autobiographical works while dispensing misguided writing advice, which is how the narrative breaks through. The excerpt takes sections from the first few chapters and, while these sections are more focused on the misguided writing advice side of things, a sense of the narrator and his various delusions begins to emerge.

In no way does it feel like it is excerpted from a novel–it is perfectly lifted from the story and exists on its own 24 point plan.

As it starts out you kind of think this writer doesn’t exactly know what he is talking about.

Don’t they say a picture is worth a thousand words?  With a couple of mouse clicks, however, a writer can copy and paste an image of a painting right into their book.  Checkmate.

As the sections progress, they get even more insane.  If your protagonist is an anti-hero, they must earn sympathy.

If your character pets a stranger’s dog on the first page, you’ve bought yourself a nasty, insensitive comment on page two.

He says you want your protagonist’s name to be meaningful to them somehow, but don’t be too obvious about it.  To avoid being obvious, make them Irish or Jewish:

  • Strongstein
  • O’Brave
  • Basketballberg

It also turns out there’s some plot thrown into the tips–plot about his ex and about the publisher he is currently (harrassing) to get his book published.

I will definitely read this novel.  It sounds great.

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[DID NOT ATTEND: December 1, 2023] Darlingside

I had been thinking about the Darlingside show and how it was kind of sad that I wasn’t dying to see them again.

And then this Free at Noon was announced.

Sure, it was at Ardmore Music Hall, which is far–not even closer to my work like most Free at Noon shows are.  But I was planning on taking some time off and driving to Ardmore and STILL going to the Baroness show that evening.

And then I tested positive for COVID.  Ugh.

This sounds like it would have been a great short spell of seeing Darlingside again.  Although it’s not the same Darlingside anymore, as this review from WXPN’s The Key says

Darlingside’s core four-piece — Paseltiner on guitar and cello, Don Mitchell on guitar and banjo, Auyon Mukharji on mandolin and violin, and David Senft on bass — is augmented on this run by Molly Parden on bass, Benjamin Burns on drums, and Deni Hlavinka on keys. Putting Darlingside in more of a rock band configuration adds energy and atmosphere to new cuts like “Green and Evergreen” and “Green Light,” but their exquisite harmonies soared on older favorites like 2015’s “The God Of Loss.”

One of the best things about Darlingside (aside from the music) is the banter.  And it was in evidence at this show:

As usual, the band used its copious tuning and re-tuning breaks for playful conversation: describing the venue to the radio audience at home, arranging the band intros by hometown and number of syllables in each member’s last name.

And this sounds like an amazing moment

And when they stepped offstage and into the crowd for a breathtaking off-air off-mic encore of Everything Is Alive‘s “The Breaking Of The Day,” played “directly under the disco ball,” they had the room enthralled.

Stupid COVID

SETLIST

  • Green And Evergreen
  • White Horses
  • Green Light
  • Hold Your Head Up High
  • Right Friend
  • Darkening Hour
  • The God Of Loss
  • Ocean Bed
  • The Breaking of The Day

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