SOUNDTRACK: CHRIS DAVE AND THE DRUMHEDZ-Tiny Desk Concert #949 (February 21, 2020).
I was pretty intrigued by the introduction that Chris Dave said before this Tiny Desk Concert
“If you’ve never been to a Drumhedz show… …we’re gonna take you on a quick journey as if you’re going through a record store,” Chris Dave told the NPR Music offices at the top of his set, “picking up different genres of music and putting it in your bag.”
So I was a little disappointed that this Tiny Desk proved to be pretty much a rap showcase. Although musically they do explore a lot of different sounds and tones.
I love that they open with flute from Kebbi Williams (who is introduced as a “this insane dude”). It’s some great flute sounds with a cool 70s vibe.
The set snuck in with a serpentine flute line that any ’70s heist flick would be proud to have. Sonic smash-cuts between the musical ideas whisk away the misconception you’re in control of the ride you’re about to take.
There’s very cool sound effects from the keys and guitars as Chris Dave gives his introduction. I’ve never heard of him, but the blurb says
Chris Dave is reasonably described as your favorite drummer’s favorite drummer, or better yet, your favorite musician’s favorite drummer. … The Houston native leads the Drumhedz behind a trap set, with his unorthodox, stacked crash cymbals and percussive toys.
That cymbal set up is very cool. One of Chris Dave’s cymbals seems like a bent piece of metal which makes a neat clanging sound.
Out comes vocalist and new Drumhedz member, Aaron Camper who raps over “Black Hole.” There’s some great wild bass from Thaddaeus Tribbett, who coincidentally recently performed a Tiny Desk Concert with Snoh Allegra.
For the next three songs, Elzhi, formerly of Slum Village, surprised the room with an unannounced cameo, on “Whatever” and inciting the crowd to nod along as the Drumhedz segued into “Tainted,” Slum Village’s turn-of-the-millennium jam.
There’s high-pitched slinky guitars from Isaiah Sharkey and guitar stabs from Tom Ford. But the most fun person to watch is definitely Frank Moka on percussion. He’s in a pair of overalls with no shirt on and he seems to have limitless piles of cool percussion instruments back there from shakers and congas to unseen things that make cool sounds.
“Clear View,” is my favorite song of the bunch because Camper sings and he has a fantastic groovy singing style. The song has a more psychedelic sound with both guitarists playing wah wah chords that rise and fall. And yes, it’s fun to watch Chris Dave smack all of those cymbals. The end of the song has a wicked instrumental section while Moki goes crazy on the congas and Thad plays some fast and frenetic rumblings on the bass.
The set ends with a song of gratitude and love of family called “Job Well Done” which he Camper dedicates to his mother.
I did enjoy the musical diversity of this set, although I guess having a guest rapper would necessitate that the set was predominately rap.
[READ: March 15, 2020] Last Pick
This book is the first in a series. When I saw the thumbnail cover, I assumed it was going to be about unpopular kids who were not picked for teams at school. Zooming in on the cover, however, will reveal big scary aliens. And that’s what this story is about!
Recently aliens landed on our planet and took away most of the people between the ages of 16 and 65 (it’s a bit of a scary time to be reading this actually). Everybody outside of those age groups and those who were sick or “useless” in some way were left behind.
The main characters are Sam and Wyatt, twins who are on the cusp of turning 16. Sam has always been outgoing and charming, but she also has a temper. Wyatt is presumably on the autism spectrum. He is very smart but is socially awkward. It was hard for Sam growing up but she has come to appreciate him over the years. Especially now that the aliens have taken their parents and they need his brains to survive.
The aliens have nothing by disdain for the remaining humans–disparaging their weakness. They hand out food to the people, but have been rationing it. They feel that the remaining people are useless and therefore deserve less food.
Fortunately, Sam has broken into storehouses and shares food and other necessities with everyone. She makes the aliens very angry. She has also been labeling all of the goods”Bird-One”–a code that is giving people hope.
Wyatt has been trying to reverse engineer some of the alien technology. His ultimate goal is to try to find his parents–he believes they are alive (if the aliens are taking useful people that makes sense).
We also learn that some of the aliens are not well-respected by the others. Some of them are getting sick and a sick alien is a useless alien after all.
Midway through the book, the kids join forces with some adults who have been hiding out in a church. Among the adults there is Charlie, a woman with dreadlocks and a lot of fight left in her. They help the kids gets some supplies. The adults have never been able to figure out any of the alien technology, but Wyatt has got it figured out–if only they’ll trust him.
There are a lot flashbacks in the story and most of them tie back to the present in one way or another–especially the one of their parents’ recording from when the twins were not yet born.
As the book nears its end, one of the twins figures the only way to get closer to their parents is to actually be taken by the aliens–to be able to fight from within.
Is that a good idea? We’ll have to wait until book two.
The artwork was great and the story was really compelling. I also enjoyed that at the end of the book Walz tells us that just because you are different and possibly not a winner does not mean that you are unimportant.
This is a very promising series.

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