SOUNDTRACK: WU-TANG CLAN-Tiny Desk Concert #810 (December 5, 2018).
Wu-Tang Clan is more myth than real in my mind. I didn’t even know they had released so many records. I thought they had done two or three and then that $2 million record and that was it.
Of course I knew that each Wu had a hugely successful solo career as well.
Somehow I even missed that they are doing a show in Philly next month ($100/ticket for GA seats).
So I was pretty surprised to see them at the Tiny Desk. And after watching the show, I totally see the appeal of seven or eight lead rappers flowing off of each other and backing each other up. Each guy has his own style and it’s a ton of fun hearing them play snippets throughout their career.
Obviously I don’t know many of their songs, so I couldn’t even speculate how many songs they do a snippet of. But I enjoyed watching them pivot around each other in this small space. All the while the live strings (!) sounds great and RZA played DJ with turntables and a whole lot more.
The rest of the Clan include:
Cappadonna: black leather jacket/backwards baseball cap
U-God: gray hoodie and sunglasses
GZA: blue hoodie
Masta Killa: camo jacket
Raekwon: aqua jacket
Inspectah Deck: White hoodie blue sleeves
Young Dirty Bastard: black sweatshirt and fun hair
So what was this all about?
The Wu-Tang Clan gathered at the Tiny Desk to commemorate the 25 years since the release of the group’s landmark album Enter The Wu-Tang (36 Chambers). With more than 60 albums between the various members, The Clan’s combined discography left them spoiled for choice when it came to narrowing down the set list for their performance. The result was an extended, 20-minute medley of songs from across the group’s iconic catalog.
The retrospective mashup of Wu classics started with the posse cut “Triumph.” Backed by strings (The Green Project), the performance morphed into an old-school cipher as Raekwon, Inspectah Deck and Cappadonna traded verses with GZA, Masta Killa and U-God. Young Dirty Bastard, son of original member Ol’ Dirty Bastard, provided a spark of energy reminiscent of his father.
As RZA cued up songs, the Clan got the crowd to chant along
Wu-Tang clan ain’t nothing to fuck with
The medley includes “Glaciers of Ice” and “Protect Ya Neck”
They give a shout out to Method Man who couldn’t be there, while RZA plays a clip from one of his songs.
After about fifteen minutes RZA says
We could do this shit all day we having fun like a motherfucker.
This leads to RZA rapping “Duckseason.”
At one moment in the performance, RZA — the mastermind behind the Clan’s success — omits some explicit lyrics from earlier in his Wu journey, while alluding to the #MeToo movement mid-cadence.
They finish up the set with “C.R.E.A.M.” [Doll bill, Dollar bill, y’all]. This gets everyone going. When they end, RZA has one more request.
He says he’s always wanted to play with a trio. Is it okay if I do one dart and you can play whatever the fuck you want.
But it’s the poetic interlude, read from his phone at the close of the set, that better reflects his current state of consciousness.
The Green Project plays a great little mildly menacing melody as he does his brand new lyric.
They end with a big “Wu-Tang is for the kids.”
Kinda makes me want to spend $100 to see them.
[READ: December 20, 2018] “Addie and the Chili”
Lydia Davis is known for her short, quirky stories. But I often wonder if her stories get published just because of her name.
This is a story in which nothing happens. And three-quarters of the way through, it even bemoans the fact that nothing happened.
It opens with
Years ago, Ellie asked me to write the story of our friend Addie and the chili.
She says she tried to write it then and gave up. But now, 30 years later, she tries again.
So the narrator and Ellie went to the movies and watched a movie that made them very sad. They picked up Addie for lunch, but she wouldn’t let them talk about the movie, because she wanted to talk about herself.
They all ordered chili which somehow upset the waiter.
Addie kept talking about herself and the narrator was mad because she wanted to talk about herself. The narrator complained to Addie that she only talks about herself. This made Addie cry and not eat her chili
The narrator felt better because she got things off her chest, but she wished she had ordered a bowl instead of a cup of chili. After summarizing, David writes:
“I see why the story was difficult to write–most of all because as is true of many stories in real life, not much had happened.”
She then summarizes the story again and then reveals that Ellie didn’t even remember asking her to write the story.
I suspect if this was an unknown writer, this would not have been published.

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