SOUNDTRACK: FIRST AID KIT-Drunken Trees EP (2008).
First Aid Kit is a band made of sisters Johanna and Klara Söderberg. When they released this debut EP, Johanna was 18 and Klara was 15. It was produced by their dad and made a big splash in Sweden. When they uploaded a video of their cover of Fleet Foxes’ “Tiger Mountain Peasant Song,” (included on the reissue of this disc) Fleet Foxes linked to it and raved about it and that brought them more attention.
This album feels homemade in the best way. It feels quiet and cozy–like a family sitting around a fireplace playing guitar and autoharp (their dad was in a band as well, and he plays on the album too).
“Little Moon” opens with a lengthy spoken section (over a pretty melody). The sisters start singing in harmony after a minute and the song is cute (the ra ra ra ra section is a little jarring). “You’re Not Coming Home Tonight” has a surprisingly grown up sentiment:
Yeah you cooked his dinners
You raised his children
Still he’s not satisfied
He says “I’d rather switch with you
You don’t know how hard it is
To work from 9 to 5”
But the heroine of the story leaves the man and sets off on a new life. “Tangerine” is a bit less empowering–and it sure seems like there was some kind of domestic trouble at home (although there doesn’t seem to have been): “I’m not going to beg just say please, please, please / Be good to me.”
“Jagadamba, You Might” this is a darker, slower song, and like the first song they sing “Jagadamba” as a kind of syllabic sound which is strangely jarring.
“Our Own Pretty Ways” is the fullest sounding song with a flute and a prominent two-step. “Pervigilo” features an organ and runs over 5 minutes. It’s a pretty song and while never striking, it doesn’t overstay its welcome either. “Cross Oceans” has a loud (for them) bass and drum rumble. It hints at a direction they would explore more but ultimately deviate from.
The addition of “Tiger Mountain Peasant Song,” is a treat as their harmonies are really striking in the chorus–the way they know when to harmonize and when to keep the harmonies a bit more distant. It’s really striking.
The album is a strong beginning. They are certainly still finding their way, but it’s a pretty and fun recording.
[READ: January 8, 2018] “Whoever Is There Come on Through”
My brief exposure to Colin Barrett suggests that he writes about Ireland and drugs. This story is about Ireland and drugs.
Eileen is waiting for her friend Murt at the bus depot. He has just gotten out of rehab. The first thing he asked was who won the U.S. election. “Whoa,” he said flatly.
They have been friends–very close, but never more than friends–for a dozen years. When they were sixteen, he confessed to having a crush on her, but she said they should just be friends. A few weeks later he we into the hospital for the first time. She naturally blamed herself, but he assured her that she was just one of a bunch of causes.
When he arrived at her car he asked her to take him to his Uncle Nugent’s. He talked a bit about his current state and then asked to go to McDonald’s. He ordered two Happy Meals and then wondered if they ever ask adults who order Happy Meals if there is a child with them. Murt says he is tired, which automatically raises red flags for Eileen, but she didn’t want to be too pushy with him.
She left him at Nugent’s. When she returned to Nugent’s a few days later, there were a few people there. In addition to Nugent, Murt’s big brother Jamie with his girlfriend Sara. They were drinking and talking shite. Nugent was once robust but recently suffered a stroke. Murt also said that Nugent was involuntarily celibate–he’s never known how to get any and he’s okay with that.
Eileen didn’t think much of Jamie, though. She leaves with Murt. They go to her house to get out of the rain.
It’s not until a third of the way through the story that we learn that Elieen is married to a man named Mark. We had heard of her son Ashleigh earlier. Turns out that Mark has another boy, Danny. Mark left Eunice for Eileen who was but 19 at the time. Mark was twice that age. The boys get on well, considering. But Danny was less kind to his stepmother.
Murt can’t handle the domesticity and then surprisingly, he jumps out the window and runs off.
The end of the story sees them all gong out for drinks. Jamie has news–it seems good, positive, maybe. Murt even seems to be looking for hobby.
But Nugent, who seems generally contended also offers a surprise after the night out.
I don’t know that there’s an overall point to the story, not a plot per se, but it paints a very specific picture of people’s lives and where they will likely wind up.

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