SOUNDTRACK: LEDISI-Tiny Desk Concert #675 (November 21, 2017).

Even though I don;t follow R&B, I’m always surprised to discover an artist whom I’ve never heard of. Especially when she is described as “a veteran R&B queen…with nine Grammy nominations and an impressive discography.”
So, yes, I’ve never heard of Ledisi, but she earns her accolades. Her voice is powerful and her attitude is wonderful. She opens with “Let Love Rule” where she hits some really impressive notes. It’s interesting to hear R&B done on a simple box drum (James Agnew) and an acoustic guitar (Kerry Marshall). But Ledisi is clearly an R&B singer and the way she and her (amazing) backing vocalist Sara Williams really get cooking their vocals are really impressive.
She introduces the next song: “This next song is from my last album. I figured we do some up tempos to keep you awake.” She’s so funny. When she says the title, “I Blame You” and people react, she gets excited and says you know it. “Everybody like (dances).” In the middle of the introduction, her make up artist comes out.
In person, what’s just as impressive as her exquisite artistry is her radiant spirit of contentment and grace. You can see it when Terrell, her makeup artist, goes behind the desk between songs to powder her face. (It was an exceptionally hot day.) Ledisi responded to the interruptions not like a diva, but with humor, humility and gratitude (“Oh, you again”).
“I Blame You” sounds like a 70s song (and she has a major Whitney Houston thing going on). Although as the blurb notes, she’s not just about the high notes:
Classically trained, Ledisi is also celebrated as a jazz artist, which she clearly demonstrated when she broke out into a effortless scat outro on her second song, “I Blame You.”
She switches into the “New Orleans” style of scatting, which is pretty enjoyable.
I loved her introduction to the third song, “Add To Me,” which is about having self-confidence and ensuring self-care in any relationship. She says women want to know, but all people should ask anyone new who comes into your life: I know what I can add to you but what can you add to me? She was feeling sassy that day as she sang lyrics like
Clothes, rings, all of that means nothing to me I need more than what you’re offering me. ….
I can be good on my own, but I don’t want to be alone. But you gotta have it all together ….
Tell me all your dreams and your goals / I’m paying all my bills on my own
I made a lot of money last year / I plan to make more this year.
And then comes the final song, “High,” a tribute to Prince with even more positive messaging. She says that “High” is about being high on life. That no matter what the circumstance around you, find one good thing in a day… be high off of that one good thing.
Ledisi’s an impressive musician.
[READ: May 5, 2017] Into the Wild
I didn’t love the second book in this series, but this one was really funny.
Interestingly, this book has a different illustrator. While Kevin Cornell continues to do the covers, the interiors are now illustrated by Stephen Gilpin. The pictures aren’t noticeably different. (I didn’t realize it was a different illustrator), but on closer inspection I can see slight changes (mostly in style rather than quality).
What I found more fun about this one that the previous one was that the mystery was a more interesting. The chickens’ back yard has been invaded by a box. The human Barbara has put a rather large and worrisome box in their yard. Sugar immediately suggests that whatever is in the box must be dangerous–what else would she keep in the box but something that is wild and dangerous? (Even though they live in a box).
And then Sugar lays out the facts:
Barbara was attacked by a wild animal and barely managed to escape. She somehow captured the dangerous beast and has secured it in a top-secret maximum-security box. We are all in imminent danger.
Dirt of course points out that those are not facts at all, but pure speculation. Dirt’s facts are that there is a new box, Barbara has put it there. There is a latch and they don’t know whats in it.
So they decide to do some surveillance–which is not the same as spying, somehow.
As they are watching the box (and ruling out whether there is a shark in it), Dirt begins taking notes: “Watching the creature, chewing chewing chewing. I like carrots too, hopping hopping hopping. Are you dangerous?” Sugar is annoyed that Dirt is just writing poetry.
The poet may be on to something though so the chickens set out to investigate. But there is a huge rain storm coming–can they brave the weather for their mission.
There’s an amusing section near the end where they finally do encounter the creature in a box who says that she senses things like the storm. Sugar dismisses her as a creature who believes she has secret powers.
I also enjoyed that in this one, the chicks got in trouble for not telling their mom where they were during the storm,
This story had a lot of the fun and silliness that I felt like the second book was lacking–I particularly enjoyed their clever use of marshmallows.

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