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Archive for July, 2016

sleepanna  SOUNDTRACK: ALESSIO BAX-Tiny Desk Concert #541 (June 17, 2016).

alessio2Alessio Bax is a pianist and a new father.  His daughter Mila is 22 months old and, a first for Tiny Desk, she is visible through the whole show.  And, no matter  Alessio is playing, all eyes are on Mila because she is completely adorable (and very well behaved).

In honor of his new daughter, Bax plays three pieces which are essentially lullabies.

Perhaps in honor of NPR/PBS, Mila is playing with a cookie monster doll for most of the set and she is being quite cuddly with it–even putting it on her head and resting it on the piano.

Introducing the first piece, J.S. Bach’s (arr. Petri): “Sheep May Safely Graze,” Bax says that Bach asks the pianist to do three things at the same time which is similar to a new parents life.

It is a lovely (somewhat familiar) piece with some beautiful melodies.

alessioWhen the song is one Mila smiles very big and claps along with everyone else and says “papa”

He acknowledges her and says, “She’s my fan #1.”

Lucille Chung, Bax’s wife and Mila’s mom duets with him on the second piece, Brahms: Waltz No. 15 in A-flat major, Op. 39.  They share the piano, which is pretty cool.  As she sits down, Mila says, “Mama too,” which wins over everyone.  Chung takes the high notes while Bax plays the lower notes. It’s a brief song, and very sweet.  Once again when the applause starts, she happily claps along.

Bax says, “We should have her play something–it will be her debut.”

He introduces the final song, Rachmaninoff: Prelude No. 4 in D, Op. 23, but before he starts, Mila says “no practicing” which he says they deal with all the time.

The song begins as a kind of lullaby and then gets much more “hot-blooded” with a stormy middle section that eventually returns to a dreamy ending.  Mila has a small keyboard of her own.  She starts “playing” it, although it proves to be a little too loud and her mom takes it away.  The song does indeed get a little intense in the middle, but is overall quite lovely.  And as it finishes she says papa piano and then beams with a big smile as she applauds with everyone else.

[READ: March 1, 2016] Sleep Tight, Anna Banana

I didn’t realize that this book was a translation at first.  I also didn’t read the biographies of the two people involved. It says that the author Dominique decided to write picture book when her adult son Alexis became a picture-book artist.  So his success inspired her to write these books.  They were translated by Mark Siegel.

We seem to read a lot of translated picture books in our house. Sometimes the very premise behind them is so unfamiliar it’s obvious they were not created by Americans.  Other times the books feel just a little …off somehow.  Like in their rhythm or something.

This book never really came to life for me. (more…)

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zahraSOUNDTRACK: WEAVES-Tiny Desk Concert #539 (June 10, 2016).

weaves There’s been quite a few mellow bands on Tiny Desk as of late so this rocking quartet from Toronto are a fun change of pace

And boy do they stand out.  Lead singer Jasmyn Burke is wearing a psychedelic dress and has a pretty wild afro.  She sings in a way that seems like maybe she could be doing something else, but always with a wry smirk.  And her voice is unusual–almost talking, but sometimes hitting slightly off-sounding notes (and at times seeming almost childish) but it all works really well within the songs.  And then there’s the music.  A bass, guitar and drum, and Morgan Waters, the guitarist, playing as if he’s doing several different songs at once.

“Coo Coo” features some picked guitar parts, some distorted chord parts, a part that mirrors her vocals (during the delightful chorus of “You’re so coo coo / I’m so coo coo  / I’m so crazy.”  And then there’s the part during the final chorus which features him playing something different after each time she says “I’m so coo coo” –trash metal guitar, simple guitar lines, then squeaky fractured notes.   It’s hard to know who to watch more.  And the bassist is no slouch either, as he keeps up pretty nicely with the wild playing.

As they start the next song, “Shithole,” the drummer starts the wrong one but they correct him and say that they are gong to play “Shithole” in this nice building.  It opens with a delicate guitar riff and a pulsing bass line.  The song is surprisingly mellow until the middle section when a noisy solo kicks in, but this song is primarily bass and vocals with a really abrupt ending

“One More” is a fast punky song which is again mostly bass and drums until the loud distorted guitars check in to accompany the vocals. I get a kick out of the odd way she sings “One more” (accompanied by a suitably squeaky guitar).

Mostly Jasmyn doesn’t seem to be singing all that hard until portions so this song when all four are going a little crazy.

They are fun band that I need to explore some more–I’ll bet they are a lot of fun live.

[READ: March 1, 2016] Zahra’s Paradise

This book is a fierce indictment of the Iranian Islamic revolution and the questionable election that took place in 2009 which brought Mahmoud Ahmadinejad to power.

It was written (by Amir) and drawn (by Khalil) pseudonymously so that they could avoid prosecution (or worse) in their home country of Iran.  In fact, while the story was amazing and really powerful, it was the afterword that I found so important.

But the story first.  And the part that will make no one want to read this book–a bag full of puppies is killed.  Yup, getting that out of the way right from the start.  And in fact, there doesn’t really seem to be a lot of justification for it.  It gets referenced a few times in the story, but nothing else is quite as graphic as the prologue (so you can skip that if you don’t want to see an image that you won’t be able to get out of your head). (more…)

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genius SOUNDTRACK: SAM BEAM AND JESCA HOOP-Tiny Desk Concert #538 (June 6, 2016).

beamhoopI sampled the Sam Beam and Jesca Hoop CD online and really liked it, so I bought it for Sarah for her birthday.  The whole album is really beautiful and I was delighted to see that they performed a Tiny Desk Concert.

Sam Beam is the man behind Iron and Wine.  He has an incredibly long beard.  Jesca Hoop is a solo performer with a few albums out (although I hadn’t heard of her before).  She looks adorable in this concert in her Oxford shirt and suspenders–they’re an interesting contrast.  And yet their voices work so nicely together.

They sing three songs from the album with Beam on guitar and both of them singing.

“Sailor to Siren” begins with Beam on lead vocals, but Hoop soon joins him to duet on most of the lyrics.  Their harmonies are so pretty, perhaps in particular because Beam’s voice is also in a high delicate register.

Sam Beam is one of the most personable performers to show up on the Tiny Desk–he seems so kind and gentle with a good sense of humor.  And Hoop complements him well.  He comments about having to sing into the microphone without looking and she jokes, “it’s like when you’re driving with someone and you’re feeding them food but you have to look at the road to make sire they don’t hit anything so you put food in their beard.”  It’s a great visual reference with his large beard and it actually gets him laugh and stop playing for a minute.

“Know the Wild That Wants You” features Hoop on first lead vocals and Beam on backing vocals and then they duet on the next verse.  The harmonies in the chorus are again beautiful.

For the final song, the incredibly catchy “Every Songbird Says,” Beam describes a video that was made for the song.  He says it’s the best video he’s ever had made for him; Jesca jumps in and says it was made for her, which makes him laugh.  He describes it as having babies with raccoon and dog heads wrestling and licking each other.

On this song Jesca’s vocals are breathier and quite different–they work wonderfully and are a fine contrast to the high notes she (and he) hit in the chorus.

This is a great representation of the album which is similarly sparse (although it does have some extra flourishes here and there).  Their voices sound just as great as on the record.

[READ: March 1, 2016] Genius

The cover of this book shows a man facing the giant but fuzzy image of Albert Einstein.  And it proves an apt image.

The story is about a man who says he was always pretty smart.  He skipped ahead two grades in school.  Although puberty was a bitch for him, it didn’t do him any real harm.  He married and had two kids.  And he now has a job at Pasadena Technical Institute.  He was brought in as a young ringer with great ideas.  But as he has been there for a while, the ideas have just stopped coming and he sees the new young people starting to overtake him–which might mean the loss of his position.

The story flips back and forth between his worklife–unsatisfying–and his home life–confusing.  His son is old enough (14) to be interested in sex.  But he has a heart to heart with him and says they can talk about anything–it seems to work. (more…)

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