SOUNDTRACK: LA MISA NEGRA-“Sancocho” (Tiny Desk Contest Runner-Up 2016).
Last week, a Tiny Desk Contest winner was announced. This week, All Songs Considered posted ten runners-up that they especially liked. I want to draw attention to a couple of them.
La Misa Negra is a cumbia-loving band from Oakland, Calif. There are eight members in the band. There’s a drummer with a small kit but lots of frenetic drumming, and a bongo player who is also frenetic. The percussion is pretty major in this band.
There’s also a sax, trumpet, clarinet, guitar and upright bass. The guitar player does super fast ska chords, while the horns plays some insanely fast riffs. The singer is full of yips and trills. It’s a non-stop fun rollicking ride.
I have no idea what they’re singing about (it’s all in Spanish) and I just don’t care, (“Sancocho” is named after a hearty stew popular in several Latin American countries).
Their tiny desk is a school seat with the writing top attached to the side. By the end it can’t contain the singer who has to get up and dance around too.
What a fun song.
[READ: February 10, 2016] “In Praise of Boredom”
The August 2015 Harper’s had a “forum” called How to Be a Parent. Sometimes these forums are dialogues between unlikely participants and sometimes, like in this case, each author contributes an essay on the topic. There are ten contributors to this Forum: A. Balkan, Emma Donoghue, Pamela Druckerman, Rivka Galchen, Karl Taro Greenfeld, Ben Lerner, Sarah Manguso, Claire Messud, Ellen Rosenbush and Michelle Tea. Since I have read pieces from most of these authors I’ll write about each person’s contribution.
I don’t know Claire Messud, but I totally related to this essay,
She is about my age and explains that the world she grew up in no longer exists. She says her parents, while wanting for nothing, were always frugal–they saved Ziploc bags and repaired things rather than threw them away.
They didn’t aspire to material wealth or popular culture, but rather they traveled a lot and had the children read. But Claire says that as a child she would rather have her own record player and clothes from the Gap.
So when her mom went to work she grew absorbed in pop culture TV and she felt like she became less serious than her parents.
I agreed with this:
The comparative ease of our upbringing first inspired guilt, then defiance. If, as our parents said, we should be eternally grateful for our comfort, then couldn’t we be grateful without feeling bad about it? Why should we accept that the hard path was always superior? Why shouldn’t we enjoy life’s pleasures? Why believe that reading Beckett or, God forbid, Heidegger, was an innately more worthy activity than watching music videos? Says who?
She knows that reading Beckett is a stimulating hour, but she can spend that hour just as happily watching Scandal.
And yet despite growing up with that attitude, these days we waste things and are glued to our devices even when pretending otherwise.
She makes an excellent point that popular art and film and literature is made to entertain so art that demands real effort and persistence may not have as promising a return on investment.
She tried to get her children to do things that are more nourishing–reading rather than hearting things on Instagram.
But children today do more homework than she ever did and participate in way more extracurricular activities. It seems “pointless to pressure them to resist the pace of their lives and the constant distraction of their media: their world isn’t mine, any more than my world was my parents.”
She says that the thing she remembers most about her childhood is that there was lot of boredom and that kids don’t really have that anymore. “I want my children to embrace doing nothing, to embrace the slowing of an afternoon to a near standstill, when all you can hear is the laborious ticking of the clock and the dog snoring on the sofa, the rain’s patter at the window, the occasional swoosh of a slowly passing car.”
This final thought is so very true, and beautifully written:
They’d have to learn to lie on the lawn watching ants scale the grass blades; they’d have to linger, digits pruning, in the bathtub; they’d have to stop, to be still, and then to wait, and wait, and wait, allowing time to fatten around them, like a dewdrop on the tip of a leaf. And then, only then, who knows what they might imagine or invent?

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