SOUNDTRACK: RHEOSTATICS-Upstairs Cabaret, Victoria, BC (October 26, 2004).
This is the final show of 2004 that I’ll be doing. (The Rheostaticslive site recently add ten shows in a row from a run in Toronto, but I’ll be coming back to that another time).
This show is the first show in Victoria for about three years for the band. And they do not disappoint. Although, much like the previous show, there are massive technical problems during the recording. The recorder (Lucky) says that his DAT recorder turned into a brick that night so he had to borrow a friend’s MP3 recorder, which was low on batteries. It’s unclear how much of the show he missed (and did he really run out to the car during the show to retrieve the machine?). He mentions being blown away by “Marginalized” and “The Tarleks” (neither one appears here) and that the batteries run out during “Satan is the Whistler” which he says was amazing.
Nevertheless, the show is great and the sound quality (aside from a few weird moments (in an early song for a few minutes you can only hear drums)) is superb.
They dedicate “Power Ballad” to the Buttless Chaps and sing “I wish I was a buttless chap.”
“Legal Age Life” has BC native Mark Atkinson as a guest. They tell him to come up and rock out–he’s been doing too much of that acoustic stuff.
It’s also the first time we’ve heard the new song “Shack in the Cornfields.” They have some fun in the middle of the song by making a “hick” joke about Captain Kirk and a variation of his name “Shat’n’er” It’s vulgar. I have to say that the 9 minutes of “Shack” coupled with the 8 minutes of “Here Comes the Image” is some pretty mellow chilled out Rheos. I might have been a little bored since these are both new songs. They say that “Mike” plays the keyboards. And that they will have to start calling him “the Wiz.” He says he would like a cape. (I’m not sure if this is MPW or someone else).
Then Morgan from The Buttless Chaps comes out (they toured with the Rheos on the entire West Coast) to add some trippiness to the end of a great “Stolen Car.”
Theree’s a quiet rendition of “Little Bird” and then, when Dave is unready they play a bunch of nonsense called “Tarzan Boy in China” which is pretty hilarious. “Mumbletypeg” is great with some “I Fought the Law” thrown in. And then we get just the beginning of “Satan is the Whistler” which has a new intro section. Before the song someone the audience coordinates with others to shout “Lordy” and Dave seems very confused: “What does that mean? Why would you shout that?” “Are you Christians?” It is unresolved as the batteries have died.
[READ: June 13, 2015] Devotion: A Rat Story
This book is tiny! It’s only 11 cm high. I’m not really sure why publishers release books like this. Sure it’s cool looking, but…. So it’s 100 pages, but it’s really just a short story and can be read in no time at all.
But that’s not my concern. I enjoyed stuffing it in my pocket while I carried it around with me this weekend.
Meloy has written a pretty broad variety of books over her career from realistic family stories to fantasy teen stories. To this group she adds this story which is a bit of a realistic psychological thriller (with some grossness included).
The story is about Eleanor. She had a baby without the father’s assistance (her parents are supportive, but smothering and wanted her to sue the father… among other options). But rather, she ignored the father and raised the baby in her parents’ house.
Now, four years later, Eleanor is ready to move out of her parents’ house with her daughter Hattie.
She looks at a house that is in her price range and she is pressured by her real estate agent to buy it (I have some questions about the legality of anything in this story, but perhaps wherever it is set the laws are less strict than they are in New Jersey, where I don’t think this every could have happened).
Eleanor is so excited to get out of her parents’ house (even though her mom is so sweet), that she doesn’t really investigate anything about her house or street.
When she comes into the house on her first day of ownership, she sees that there is a rat in the kitchen. It quickly runs into her neighbor’s house. Obviously she is quite concerned. She becomes even more so when the exterminator tells her that the neighbors are actually feeding the rats and are resisting any help from anyone (again, this seems like it could be taken care of with a call to the board of health).
The neighbors are two old ladies. We learn a little bit about them and why they are the way they are. And we realized why the old lady is so suspicious of Eleanor when she knocked on their door.
Eleanor is obviously freaked out about all of this. And She refuses to bring her daughter to the house (Hattie is going through something as it is) until this can be settled in some way.
And that’s when the yucky part happens.
It seems like going forward things could possibly be worked out as long as the psychological damage wasn’t too much. This was certainly a creepy story (not for everyone). But despite all the implausibilities (which I think were beside the point), I still enjoyed it.

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