SOUNDTRACK: SAUSAGE-Riddles Are Abound Tonight (1994).
After Pork Soda, Primus took a little break and Les reunited with the original members of Primus–Todd Huth and Jay Lane (guitars and drums) to make the Sausage album. The album contains new songs and what I assume is the original version of “The Toys Go Winding Down” which sounds quite different from the Primus recorded version.
The first two songs sounds the most like conventional (what?) Primus with big smashing choruses. The biggest difference on the whole album is in the guitar, which is not just making shapes and noises, it is laying an interesting riff. And the single “Riddles Are Abound Tonight” sounds absolutely the most like Primus–with interesting guitar sounds and Les’ popping bass (the “ho hoy yea” in the middle is also very Primus).
Another big difference is that Jay Lane’s drumming is a very different style than Tim Alexander’s. Alexander is a force to be reckoned with–he’s all over tha place, playing weird time signatures and all manner of drums. Jay Lane is more of a jazzy drummer–he keeps things fairly simple with a lot of hi-hat work. So yes, even though Les is the same (and the star) in both bands, Sausage sounds quite different from Primus.
It’s also not to say that Huth doesn’t make crazy noises (he was the original Primus guitarist after all)–“Here’s to the Man” has a scorching noise from Huth over Claypool’s fairly conventional bass line. But this song, as with most of them on the disc are quite long and don’t offer the wide array of sections that most Primus does, which loses its impact after a time. So even though Les is talking some silly nonsense over the song (which is very hard to hear), it doesn’t make the song much more compelling.
Sausage has more of jam band feel. As with “Shattering Song,” a 7 minute piece with a conventional drum bass and guitar structure. It goes on in the same vein for some 4 minutes before turning into the more enjoyable “Kern Kern the butter churn” section, which I wish was longer. Because I love the Primus release of “Toys” I find “Toyz 1988 to be unsettling in its slowness. Although I do love the opening bass riff. “Temporary Phase” also has a good thumping bass riff and some noisy guitars.
“Girls for Single Men” is a fun song with a wild bass line. It has a repeated chorus and a lot of spoken word. As with a lot of these Claypool solo pieces, if the spoken stuff was just a bit louder, it would be more enjoyable.
“Recreating” i a short song with a cool opening bass section that is primarily based on Les’ whammy bar. The final song, the 6 and a half minute “Caution Should Be Used While Driving a Motor Vehicle or Operating Machinery” has a cool repeating bass line and some noisy guitars but it is most notable for all kinds of street noises–jackhammers, air raid sirens and the like.
I don’t love the Sausage album that much, but there is some good stuff here. And the video for “Riddles” is pretty outstanding (and was actually the basis for the Beavis and Butthead character of Cornholio!)
[READ: January 8, 2015] “The Dinosaurs on Other Planets”
There’s quite a lot going on in this story and I enjoyed very much even if the ending wasn’t entirely satisfying.
The story is set in the house of Kate and Colman an older married couple (they met when he was 40 and their kids are grown). We learn that they have not shared a bed for about a year. He moved his lathe into their son’s room and basically just stays there all the time, and while she seems upset by this she doesn’t talk about it. The only thing that sparks them moving back into the same room is their daughter’s upcoming return visit.
Emer has been living in England (I assume her parents live in Ireland given character names) and she is planning to come to visit for a few days with her son Oisin. So Kate gets the house ready–she fixes up Emer’s old room and fixes up their son’s room (he is in Japan) for a bedroom for Oison.
But when they show up, Emer has a man with her as well. His name is Pavel, and when Cormac (who is none too pleased to have an extra guest) asks Oisin when Pavel is from, Oision (who is 5) says “Chelsea.”
Cormac takes Oison out into the woods while Emer and Pavel go for a drink at the pub. When Cormac and Oison return, the boy is carrying a skull. It’s most likely a sheep, but Oison believes it is a dinosaur. While Cormac tries to set him straight, when Pavel returns he encourages a fantasy opinion suggesting that there might dinosaurs on other planets–Colman doesn’t disagree with him.
That night Colman got into bed as if it was no big deal and fell quickly asleep. Kate felt uncomfortable to undress in front of him. (The following night, there is a heartbreaking moment between them).
The next morning, when Emer went out, she declined to let Pavel go with her (clearly they had had a fight), so he stayed at home with Kate.
Kate let him work upstairs, but at lunch time she went up to see if he was okay. They find that they can talk to each other pretty easily (Pavel is considerably older than Emer) so they decide to go for a walk together. Pavel doesn’t understand why Emer wouldn’t live in this beautiful natural location.
And so we have a house with two couples who are drifting apart s well as the fear of loss of a grandchild. The story ends with what I took to be a possible continuation, but I gather this was a complete short story. I would have liked a bit more from it.

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