SOUNDTRACK: AGES AND AGES-Tiny Desk Concert #358 (May 20, 2014).
I knew one song from Ages And Ages so far (the wonderful song “Divisionary (Do The Right Thing)”), and I was interested to hear what else the band did. Well, they open this Tiny Desk Concert with a great burst of multiple harmonies and fugues—when you have 8 people in your band you can really showcase diversity in vocals (there’s only 6 here at the Tiny Desk and there’s 7 in the band photo but NPR says 8 so, your guess is as good as mine). “Light Goes Out” has that great opening and then it turns into a pretty quick indie rock song. I really enjoy the way the different vocalists (and three guitars and one piano) really pile on the sounds. Even the percussion elements add something to this joyful song.
“Divisionary (Do The Right Thing)” sound great in this context—the way the women play with harmonies is just fantastic. It starts slowly, with a strummed acoustic guitar, then more and more voices join the mix. The harmonies that the women sing (which I don’t think are on the record sound great). “No Nostalgia” has a traditional folk sound (with that shaker as a cool percussive element). It’s probably the most traditional sounding song of the bunch, but again those many voices of harmonies sound great.
They are one of the few bands to stretch out to 4 songs on a recent Tiny Desk, and their fourth is “Our Demons” a great song with more great voices coming in.
If I was unsure just how good Ages and Ages is, this tiny Desk Concert sold me.
[READ: June 1, 2014] “The Man in the Woods”
This is the second of a group of recently uncovered stories from Shirley Jackson’s papers which the New Yorker has published.
Even though this story is timeless–there is really no indication of when it is set, and any clues seem to be more mythological than real–when reading it I assumed it was written a while ago. There’s something about the language that just reads “not contemporary.” And I think that’s interesting in and of itself.
But as I said, this story feels timeless–it has a mythological/fairy tale mystique about it which starts right off the bat when we see the main character, Christopher, walking in a very deep, very dark forest. He has been walking for countless days and the forest has been getting more and more close–as if the trees were leaning in on him. He is all alone until a cat starts following him “trotting along in the casual acceptance of human company that cats exhibit when they are frightened.” And thus, the two continue deeper into the woods with Christopher saying to the cat that the path must lead somewhere.
And it does, an hour or so later, they come upon a bend in the path which leads to a small house. He approaches cautiously but is quickly welcomed by the young “not so young as he would have liked, but too young, seemingly, to be living in the heart of a forest” lady named Phyllis. There is another lady called Circe who is making food. The warmth of the cabin and the smell of the food warms Christopher to his core. And the cat makes himself at home quickly as well. But the ladies are a little odd, and Christopher dare not make himself too comfortable. Especially when they call out the head of the house.
Oakes comes from the back room. He is older with shoulders that “looked as if they would sag without a constant effort.” He regards Christopher cooly but then also welcomes him. They feed him and say that they will show him around more in the morning, so at least he has a place to stay the night.
When the house cat, Grimalkin comes in and sees the unnamed cat in its spot under the stove, Grimalkin immediately hisses and begins a fight. But Christopher’s cat bests Grimalkin and it flees. Christopher apologizes, but the ladies say that at least now his cat has a name–they will call it Grimalkin (the name means old or evil-looking cat).
That acts as a kind of precursor to events in the rest of the story. As with many Jackson stories there is a kind of open-ended ending, but there is enough there to indicate what should transpire in this household. And there are enough hints away from reality that make this story seem like it could just be a fairy tale. It was really interesting and fun to read, imagining what prompted this trip into the woods both for Christopher and for Shirley Jackson.

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