SOUNDTRACK: FUJIYA & MIYAGI-Live at Gibson Showroom, New York (2008).
This set is available for Download from KEXP. I don’t know Fujiya & Miyagi all that well, but I really enjoy everything I’ve heard from them. They place a keyboard-heavy, almost-dance music, but they use a lot of guitars to propel their songs further.
The most noteworthy thing about the band is the vocals–they are whispered (and often nonsensical–“Vanilla, strawberry, knickerbocker glory”) but the whisper seems to make the song move faster somehow–adding an almost sinister edge to the tracks (although sometimes it can feel sensual as well–it’s a neat trick).
This show has five songs from the album Lightbulbs–and it’s their first tour with a live drummer, which adds a nice complexity to their set. One of these days I’m going to have to check out their studio releases.
[READ: September 8, 2012] “My Journey to the Outer Limits of Funk”
Here’s another author I admire writing a short piece in Rolling Stone. This one, unlike Lethem’s recent contribution, is about something he himself has done. This article is a kind of music-based background explanation of his new book, Telegraph Avenue.
The premise of one of the plotlines is that two guys work in a record store, Brokeland Records, and are aficionados of jazz. But he felt that was kind of dull, so Chabon delves into how he was able to get his characters to feel more interesting. He didn’t wan them to just be “into jazz”–blah–he needed to add even more details so that they were more than just jazzies. So he talks a bit about what he learned from Wax Poetics a magazine that refracted black popular culture through hip hop.
I was pretty excited to read this,as I like when authors can really delve into the music that make their stories come alive. Unfortunately for me, jazz is one of the few musical styles with which I have a passing interest but very little interest in the details. I like some jazz quite a lot, but it’s a very small subset of the music I really enjoy. So this brief article, which goes into pretty intense detail about some subgenres of jazz definitely had me drifting off from what he was talking about.
That is not to say that I won’t enjoy Chabon’s novel, which sounds really interesting. As with most novels based on research, I’ll let Chabon do the hard part and I’ll enjoy what he makes out of it.

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