SOUNDTRACK: TOM WAITS-Nighthawks at the Diner (1975).
This is Waits’ third album, a live recording (!) which was actually recorded live in the studio. But not the way most bands record live in the studio. The producers brought in tables and chairs and created a bar-like atmosphere into the (evidently rather large) studio. Then they invited fans in to watch the performance. Wild, man.
Just as wild is the bebopping and scatting that Waits does here. The opening “Emotional Weather Report” is all kinds of comical phrasing and silliness about himself. It’s funny and quite enjoyable. And it makes it feel like a nightclub. He also introduces mos of his sings with a story, and for most of the songs, the introductions are almost longer than the song. The two-minute intro to “On a Foggy Night” is full of Tom’s storytelling–but in a much more improv jazzy style. Indeed, it’s not entirely clear when the intro ends and the song begins.
The intro to “Eggs and Sausage” has the very funny conceit that the food he has eaten in some greasy spoon is pretty frightening. The veal came down to beat the shit out of his coffee, but the coffee wasnt strong enough to defend itself. Nice. “Better Off Without a Wife” he talks about having an evening just to yourself, you know, for pleasure. We all do it, he says, but I’m not weird about it; I don’t tie myself up or anything.
Overall, this is a fun album. It’s loose, the crowd is at ease and so is Tom. It’s long album–about 70 minutes, which might be a little too long, but you get the whole vibe of a night out–good stories and good music.
[READ: September 21, 2011] “Starlight”
This story is four short pieces. The titles should tell you everything you need to know about the content: “Mrs. Nixon Joins the Final Official Photograph,” “Mrs. Nixon reacts to RN: The memoirs of Richard Nixon,” “Brownie,” and “Mrs. Nixon’s Thoughts, Late-Night Walk, San Clemente”
So, clearly these are four short pieces that delve into the mind of Richard Nixon’s wife, Pat. I don’t know a lot about her or about Nixon himself, really (I know all the highlights or low lights but I haven’t really ever looked into the man aside from what the sitcoms say about him).
So when I was reading the first excerpt I just couldn’t get into it. I didn’t know who the people were for sure. I assumed Ollie was Ollie North, but who knows. I almost didn’t read any more, I was so uninspired by the first one. But the next day I decided to try again.
I read all four of the stories and by the end I concluded that a) I don’t care about the Nixons. b) I don’t know enough about Nixon to know if for instance, the segment about their dog Brownie was believable or even something that actually happened (I’ve heard of Checkers, but not of Brownie). c) I think I may have enjoyed these stories more if they were about fictional people–the concern about authenticity was too great for me to enjoy them.
I’m willing to accept that the onus was on me to enjoy these stories more, but i also feel like they were just too subject-specific for the average reader to really enjoy. I’ve also never read anything else by Beattie, so I don’t know how this compares to her other works.

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