SOUNDTRACK: BUFFALO TOM-Buffalo Tom (1988).
After listening to the new Buffalo Tom song, I decided to go back and reappraise their back catalog. This first album was produced by J. Mascis, and a lot of reviews talk about the album sounding very Dino Jr. But I have to say that rather than Dino Jr, I hear Hüsker Dü. There’s some big loud choruses and, to me, the vocals sound much more like any of the screamier Hüsker Dü songs than anything Dino did.
There are a couple of songs that have the catchy urgency of Hüsker Dü, but for the most part the disc feels like it’s all urgency, with little in the way of songcraft. There are elements of something here but it feels underdeveloped, especially compared to their later releases (an unfair comparison, I suppose).
It’s also a surprise to hear just how punky this is when as recent as their next album, they would be far less abrasive. I don’t dislike the album, but it didn’t leave a very big impact on me.
[READ: July 18, 2011] “Wendy Mort & I”
Bradford has a second story published by Nerve.com. This one, while again featuring a rollicking sex scene (more explicit than your average short story) ultimately also went in an unexpected direction.
The narrator is dating an actress named Wendy. Wendy is not so much an actress as an “actress.” The narrator first sees her in an experimental play in which she is naked for the entire second act. He’s pretty psyched to have this naked woman right next to him after their second date. In fact, sex is the bulk of the beginning of the story, Their relationship is very physical. In the beginning, he is expressly forbidden to go without a condom. But later in the story, there’s an intense scene where they have sex without one.
Now the gun on the wall must go off by the end of the story, right? And yet this one doesn’t (minor spoiler). The story does not focus on anything that could go wrong without using a condom–in some ways its nice that the condomless sex is all about pleasure. (Of course, this is for nerve.com, which is all about sexual pleasure).
The story makes a right turn when the narrator meets Wendy’s father Mort. Mort sizes him up and yet despite Mort’s antagonistic attitude towards him (and the narrator’s insistence on paying for his meal, when he clearly can’t afford it), Mort seems to like the boy.
The rest of the story has different avenues, but the crux is that the narrator runs into Mort once again and it’s a rather surprising encounter. It all culminates in a very funny final scene, with the narrator acting badly based on misunderstood advice.
I rather liked this story because it was quite unexpected.
For ease of searching I include: Husker Du

Leave a comment