
SOUNDTRACK: PREFAB SPROUT-Let’s Change the World with Music (2009).
This album was unreleased back in 1992 (it was supposed to be the follow-up to the wonderful Jordan: The Comeback). Record label confusion left it shelved for many years. It’s been released now because lead Sprout Paddy McAloon has been having health issues and won’t be releasing any new Sprout music anytime soon. So he has released this album in what is essentially demo form.
Unlike many demos, though, this one is pretty fully realized. It’s full of keyboards (where there might be strings for instance) and there are no backing vocals (or any other musicians), and yet for all of that, it doesn’t sound like a scratched out demo or a home-recorded cassette (and Paddy sings his heart out). There are certainly moments (most evident in the drums at the beginning and end of songs) that sound kind of sparse, but the bulk of the disc is fully formed and quite well realized.
The opening is pretty odd, with Paddy (who normally has a soaring tenor voice) speaking a deep almost rap over a funky beat. In fact, as the song continues, with Paddy’s voice returning to “normal,” that funky beat continues. Nevertheless, but the time the sweeping dreamy chorus kicks in we’re back to less funky, more smooth sounding Sprout that I know and love.
Like Steely Dan, Prefab Sprout is not really meant to be enjoyed by the young. It’s borderline treacly, it’s very sweet and earnest, an my high school self would have scoffed at my enjoying them at all. And yet for all of that, the songwriting is really magical. There is religious imagery all over the disc, but it’s there to convey the magical power of music. And it’s entirely authentic.
And when you combine that with Paddy’s voice its adult contemporary music that is still interesting (certainly too interesting to be played on pop radio). I think the real key to the success of the disc is the unpretentious, unforced and completely unironic joy that Paddy gets from music. And there’s nothing wrong with that.
[READ: November 14, 2010] “Five Stories from Flaubert”
I really enjoyed Madame Bovary many many years ago when I read it. Recently, writer Lydia Davis translated Madame Bovary and her translation is supposed to be exceptional, light years above the translation that I read. One of these days I plan to read her version. In the meantime, I’ve got these little short short stories.
I had a hard time deciphering what these little stories were, exactly. The introduction says that they are “adapted from letters Flaubert wrote to his lover.” So I guess Flaubert gets a co-writing credit? There’s a couple more stories online at The Paris Review (but you need to buy the issue to get all ten).
Anyhow, the five stories are:
“The Cook’s Lesson”
An amusing tale of ignorance masking intelligence
“The Visit to the Dentist”
The visit leads to fearful dreams for the whole house.
“The Coachman and the Worm”
A man believes a tapeworm is controlling his behavior.
“The Chairs”
Trying to learn about people from where they sit.
“Pouchet’s Wife”
Death can affect anyone.
All five of these stories are brief (three of four paragraphs–something Davis does very well). As with a lot of her brief stories, I like just about all of them, although some move me far more than others. And I can tell that I will think about some more than others (“The Chairs” in particular).

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