SOUNDTRACK: SHARON VAN ETTEN-“Don’t Do It” (2010).
This song is available from NPR’s All Songs Considered. I’d never heard of Sharon Van Etten before, so I didn’t know what to expect. And this was a great way to learn about someone new (to me) and to find a song that I fell in love with.
This is a dreamy kind of track, sort of like later period Cocteau Twins, but less ethereal. And I have to say on first listen I was really blown away because what starts as a simple song really blossoms into a full blow epic.
The song isn’t staggeringly original, by which I mean I can hear many precedents in the song (Throwing Muses, perhaps, but again, not as extreme). And yet, she takes this template and really makes it shine in her own way. This song is layered and textured with more depth of sound coming on each verse. And it feels like by around the third minute or so, you’re totally caught up in the song.
On further listens, that effect is still there. It’s very subtle, but really effective. And I keep getting sucked right in. I’ll definitely check out her full length, Epic.
[READ: October 20, 2010] “Peep Show”
This was the final story of the 1999 New Yorker 20 Under 40 collection that I read (there’s one more after this, but I read them out of order). The excerpt in the main issue was intriguing but very short and the whole story blew my mind with its unexpected surrealism.
Allen Fein, a man with his shit together, trips over a curb on his way to Port Authority. It throws off his stride and his whole day. When he straightens up, he looks up to see a barker offering peep shows for 25 cents. Fein had been to a peeps how once before as a teen, and he sort of thinks that his day is a mess anyhow, so why not.
When he goes in, things are not as the were when he was a kid. In fact, the glass that usually keeps peeper from peepee is removed, and the first word that the woman says when the door goes up is “Touch.” And Allen finds himself in a weird position, especially when he touches the woman and his erection won’t subside.
He decides to put another token in the slot and that’s when the surrealism begins and we enter into a sort of hyper- Woody Allen story. I don’t want to give away the reveal (the story is quite short) and the end of the story revolves around what happens next. Suffice it to say that the rest of the story makes Allen (the character, not Woody) question everything about himself, from his life choices to when he changed his name.
I enjoyed this story very much. Despite the Woody Allen comment above the story wasn’t “funny” (well, it was funny, but it wasn’t a joke story). And as with any good bit of surrealism, it can’t easily be summed up. It was a great story to end this collection with.
Englander himself has not been very prolific over the years. He has written two books (one short story collection and one novel) and has received tremendous accolades. It may be worth investigating him further.

Leave a comment