SOUNDTRACK:KATE BUSH-The Sensual World (2009).
It was three years between The Dreaming and Hounds of Love. And this time it took four years for The Sensual World to come out. This was the first Kate disc that I bought as it came out. And I was such a huge fan of Hounds, that I was really quite excited about this release.
Kate has always been fairly forthcoming about sex/sensuality on her songs (even if it was metaphorical, the metaphors weren’t really labored). So, the fact that she’s putting it all out there is not much of a surprise. And yet, to me this seems like a much more explicit work than her earlier ones (an older songwriter perhaps?).
The other thing that strikes me about the album is just how accessible it is. Unlike her previous discs which featured flourishes and howls, headphone tricks and other show offy tactics (which I totally love), this disc comes across as a songwriter who is more confident in her songs so she doesn’t have to put frills on them.
I have a fndeness for this disc because it was the first one I bought as a fan, but I don’t listen to it all that much. When I played it again, I had forgotten how much I liked it. And, yes, I miss all the tricks and cool studio fun on this disc, but the songwriting makes up for it.
The opener “The Sensual World” is, yes, a very sensual song (with the “Mmmmmyessses” every line or so). The second track, “Love and Anger” is a great, freewheeling Kate track. The younger Kate would have had crazy wild fun with it, but the more mature Kate plays it fairly straight. And it really showcases what a great song it is.
As “The Fog” opens, she says, “I’m all grown up now” (and there’s no headphone tricks accompanying it). That seems to be a statement about the disc itself. But, just so you know it’s npt a totally safe disc, “The Fog” has a wonderful otherworldly violin running through it.
The one thing that stand out on the disc, though is how rocking it is (relative to Kate, of course). The guitars on about half of the songs quite loud and raucous. And Kate is clearly having a lot of fun with the songs.
But there are some mellow songs as well. “Reaching Out” begins as a delicate piano ballad (although it is full of some wild ethereal backing vocals) but it also builds to a louder chorus and finish. “Deeper Understanding” is an interesting song in which she sings about a computer (which I thought would sound really dated twenty years later but which doesn’t).
“Never BE Mine” sounds like Kate of old (ah, fretless bass). While “Rocket’s Tail” showcases the gorgeous sounds of the Bulgarian Choir, who would assist her on many future tracks as well. The choir seems to take on a lot of the strange vocals that Kate herself used to perform. But they have an oddness of inflection that makes it sound otherworldly. It also has the unmistakable sounds of a David Gilmour guitar solo.
The highlight has to be “This Woman’s Work.” When all is said and done, Kate’s voice is what any fan comes back for. This song is a simple piano based ballad. Kate’s voice is clean and pure and rather magical. And the emotional release as the song nears its end is phenomenal.
The Sensual World is an overlooked disc (its regular price on Amazon is $7). And while it doesn’t have all of the flair and magic of Kate at her wildest records, the stripped down version of Kate is pretty wonderful too.
[READ: November 15, 2009] “Noughts and Crosses”
It took me a few paragraphs to realize what was going on in this story and then I liked it even more.
The story opens with an email. Several of the words are in bold. The email, from j to n, is a break-up letter. It’s sort of generic and doesn’t really reveal all that much. But the rest of the story is a reply to each of the bolded words of the email.
As n replies (presumably in her head, although it could also be written even if it is never sent) we learn more and more about the two of them and their relationship. The parties involved, the promises told and the little giveaways that show that the relationship was over long before this email (a breakup by email!) was sent.
What is so delightful about the story is that the original email seems pretty straightforward, as if you could tell the whole story from it. But as the full story unfolds, so much more is revealed, and you learn just how much has been hidden in the suddenly vague phrasings of that original email. Even the genders are hidden in that original missive.
As the reply grows more intense, if not more heated, you get a real feel for what that email could have said, but didn’t. It’s very clever. This was a wonderfully original way to look at an age old topic. I think it would have been very suitable for inclusion in Four Letter Word.

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